短編映画(仮題)「シガレット」— 参照アセット一覧

全 249 点。各タイルは生成に使ったプロンプトとモデルを併記しています(AIFJ の AI 利用開示の資料を兼ねます)。画像をクリックするとフルサイズが開きます。

人物 — A

高3・20歳・30代の3時期。各時期がベース1枚と、そこから組んだ7枚のシート(全身正面・右横顔・左横顔・背面・笑い・真顔・憂い)で構成される。

character-a

a-highschool-base
a-highschool-base
864×1184
プロンプト
Edit this image. Keep the exact same person: identical face, hairstyle, expression, pose, lighting and background. Completely remove the camera and its neck strap, so he is simply standing in his navy blazer school uniform with a grey necktie, jacket naturally closed where the camera used to be. No text, no logos anywhere.
candidate-1
candidate-1
864×1184
プロンプト
Photorealistic cinematic portrait, bust-up, of a 17-year-old Japanese male high school student, character 'A' for a short film. He has a vintage DSLR film camera on a strap around his neck. Soft warm late-afternoon window light, muted film-like color grading, shallow depth of field, plain neutral background. He looks slightly off camera with a calm, quiet expression. No text, no watermark. He wears a black gakuran (Japanese stand-up collar school uniform). Short neat black hair, earnest and boyish look.
candidate-2
candidate-2
864×1184
プロンプト
Photorealistic cinematic portrait, bust-up, of a 17-year-old Japanese male high school student, character 'A' for a short film. He has a vintage DSLR film camera on a strap around his neck. Soft warm late-afternoon window light, muted film-like color grading, shallow depth of field, plain neutral background. He looks slightly off camera with a calm, quiet expression. No text, no watermark. He wears a black gakuran (Japanese stand-up collar school uniform), collar hooks undone. Slightly wavy messy hair, bookish and introverted mood.
candidate-3-nologo
candidate-3-nologo
864×1184
プロンプト
Edit this image. Keep the exact same person: identical face, hairstyle, expression, school blazer uniform, pose, lighting and background. Replace the camera hanging from his neck with a different fictional vintage film camera whose top plate and front are completely blank brushed silver metal with no nameplate. The area above the lens mount must be smooth empty metal. Absolutely no letters, numbers, words or logos may appear anywhere on the camera or in the image.
candidate-3
candidate-3
864×1184
プロンプト
Photorealistic cinematic portrait, bust-up, of a 17-year-old Japanese male high school student, character 'A' for a short film. He has a vintage DSLR film camera on a strap around his neck. Soft warm late-afternoon window light, muted film-like color grading, shallow depth of field, plain neutral background. He looks slightly off camera with a calm, quiet expression. No text, no watermark. He wears a navy blazer school uniform with a loosened necktie. Modern mushroom-style haircut, soft friendly look.
candidate-4
candidate-4
864×1184
プロンプト
Photorealistic cinematic portrait, bust-up, of a 17-year-old Japanese male high school student, character 'A' for a short film. He has a vintage DSLR film camera on a strap around his neck. Soft warm late-afternoon window light, muted film-like color grading, shallow depth of field, plain neutral background. He looks slightly off camera with a calm, quiet expression. No text, no watermark. He wears a navy blazer school uniform, no tie, top button open. Center-parted hair, cool and reserved mood.

age-20

a-20-option1
a-20-option1
1792×2400
refs: a-highschool-base.png, a-hs-fullbody-front.png, a-hs-expr-serious.png
プロンプト
Using the provided reference images of the same single character as a 17-year-old, generate the SAME person now aged 20, a Japanese university student. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to 20 and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos. Outfit: an off-white long-sleeve shirt with the top button open and sleeves slightly rolled, charcoal-grey slacks, black sneakers. Same soft mushroom-style haircut, slightly more grown out than high school.
a-20-option2
a-20-option2
1792×2400
refs: a-highschool-base.png, a-hs-fullbody-front.png, a-hs-expr-serious.png
プロンプト
Using the provided reference images of the same single character as a 17-year-old, generate the SAME person now aged 20, a Japanese university student. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to 20 and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos. Outfit: a plain black t-shirt under an open navy coach jacket, loose wide-leg chino trousers, black sneakers. Same soft mushroom-style haircut, slightly more grown out than high school.
a-20-option3
a-20-option3
1792×2400
refs: a-highschool-base.png, a-hs-fullbody-front.png, a-hs-expr-serious.png
プロンプト
Using the provided reference images of the same single character as a 17-year-old, generate the SAME person now aged 20, a Japanese university student. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to 20 and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos. Outfit: relaxed loungewear he would wear at home on an early-summer night — a slightly worn, wrinkled plain light-grey oversized t-shirt, loose black sweatpants-style easy pants, and plain slide sandals over bare feet. Hair slightly unstyled. Same soft mushroom-style haircut, slightly more grown out than high school.

age-30

a-30-option1
a-30-option1
1792×2400
refs: a-highschool-base.png, a-20-option3.png, a-20-expr-serious.png
プロンプト
Using the provided reference images of the same single character at ages 17 and 20, generate the SAME person now in their early 30s (around 30-35), a Japanese adult. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to their early 30s and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. A thin wedding band on the left ring finger. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No other props, no text, no logos. Outfit: weekend smart-casual — a plain white t-shirt under a light-grey unstructured shirt jacket, black tapered slacks, clean leather sneakers. The mushroom haircut has matured into a neat short style. Wedding band: plain brushed silver.
a-30-option2
a-30-option2
1792×2400
refs: a-highschool-base.png, a-20-option3.png, a-20-expr-serious.png
プロンプト
Using the provided reference images of the same single character at ages 17 and 20, generate the SAME person now in their early 30s (around 30-35), a Japanese adult. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to their early 30s and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. A thin wedding band on the left ring finger. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No other props, no text, no logos. Outfit: worn-in bookish casual — a washed ecru oxford shirt with sleeves rolled, faded straight jeans, dark loafers. The mushroom haircut has matured into a slightly loose short style. Wedding band: plain brushed silver.
a-30-option3
a-30-option3
1792×2400
refs: a-highschool-base.png, a-20-option3.png, a-20-expr-serious.png
プロンプト
Using the provided reference images of the same single character at ages 17 and 20, generate the SAME person now in their early 30s (around 30-35), a Japanese adult. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to their early 30s and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. A thin wedding band on the left ring finger. Style direction: fashionable Tokyo Shimokitazawa vintage-shop style — curated secondhand clothes worn with taste, relaxed silhouettes, retro fabrics, nothing flashy. No brand logos or lettering on any clothing. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No other props, no text. Outfit: a vintage open-collar shirt in a muted retro geometric pattern (browns and creams) worn loose over a plain white t-shirt, high-waist pleated wide slacks in dark brown, black leather shoes, a simple vintage wristwatch. Matured loose short haircut. Wedding band: plain brushed silver.
a-30-option4
a-30-option4
1792×2400
refs: a-highschool-base.png, a-20-option3.png, a-20-expr-serious.png
プロンプト
Using the provided reference images of the same single character at ages 17 and 20, generate the SAME person now in their early 30s (around 30-35), a Japanese adult. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to their early 30s and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. A thin wedding band on the left ring finger. Style direction: fashionable Tokyo Shimokitazawa vintage-shop style — curated secondhand clothes worn with taste, relaxed silhouettes, retro fabrics, nothing flashy. No brand logos or lettering on any clothing. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No other props, no text. Outfit: a faded plain crewneck sweatshirt in dusty sage green layered over a white t-shirt peeking at the hem, loose light-wash vintage wide jeans, white German-army-trainer style sneakers without logos. Matured loose short haircut. Wedding band: plain brushed silver.

sheet-age20

a-20-back
a-20-back
1792×2400
refs: a-20-option3.png, a-20-fullbody-front.png, a-20-profile-right.png, a-20-profile-left.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait seen directly from behind, entire figure visible from head to sandals, showing the back of the hairstyle and clothes. The character is 'A', a 20-year-old Japanese male university student with a soft, slightly grown-out mushroom-style haircut and a gentle friendly face, slim slender build (not athletic). He wears relaxed early-summer loungewear: a slightly worn, wrinkled plain light-grey oversized t-shirt, loose black sweatpants-style easy pants, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-20-expr-laugh
a-20-expr-laugh
1792×2400
refs: a-20-option3.png, a-20-fullbody-front.png, a-20-profile-right.png, a-20-profile-left.png, a-20-back.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, laughing openly and naturally. The character is 'A', a 20-year-old Japanese male university student with a soft, slightly grown-out mushroom-style haircut and a gentle friendly face, slim slender build (not athletic). He wears relaxed early-summer loungewear: a slightly worn, wrinkled plain light-grey oversized t-shirt, loose black sweatpants-style easy pants, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-20-expr-melancholy
a-20-expr-melancholy
1792×2400
refs: a-20-option3.png, a-20-profile-left.png, a-20-back.png, a-20-expr-laugh.png, a-20-expr-serious.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, eyes slightly lowered, with a subtle melancholy expression. The character is 'A', a 20-year-old Japanese male university student with a soft, slightly grown-out mushroom-style haircut and a gentle friendly face, slim slender build (not athletic). He wears relaxed early-summer loungewear: a slightly worn, wrinkled plain light-grey oversized t-shirt, loose black sweatpants-style easy pants, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-20-expr-serious
a-20-expr-serious
1792×2400
refs: a-20-option3.png, a-20-profile-right.png, a-20-profile-left.png, a-20-back.png, a-20-expr-laugh.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, with a quiet serious expression. The character is 'A', a 20-year-old Japanese male university student with a soft, slightly grown-out mushroom-style haircut and a gentle friendly face, slim slender build (not athletic). He wears relaxed early-summer loungewear: a slightly worn, wrinkled plain light-grey oversized t-shirt, loose black sweatpants-style easy pants, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-20-fullbody-front
a-20-fullbody-front
1792×2400
refs: a-20-option3.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait, facing the camera straight on, arms relaxed at the sides, entire figure visible from head to sandals. The character is 'A', a 20-year-old Japanese male university student with a soft, slightly grown-out mushroom-style haircut and a gentle friendly face, slim slender build (not athletic). He wears relaxed early-summer loungewear: a slightly worn, wrinkled plain light-grey oversized t-shirt, loose black sweatpants-style easy pants, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-20-profile-left
a-20-profile-left
1792×2400
refs: a-20-option3.png, a-20-fullbody-front.png, a-20-profile-right.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing left, showing the left side of the face. The character is 'A', a 20-year-old Japanese male university student with a soft, slightly grown-out mushroom-style haircut and a gentle friendly face, slim slender build (not athletic). He wears relaxed early-summer loungewear: a slightly worn, wrinkled plain light-grey oversized t-shirt, loose black sweatpants-style easy pants, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-20-profile-right
a-20-profile-right
1792×2400
refs: a-20-option3.png, a-20-fullbody-front.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing right, showing the right side of the face. The character is 'A', a 20-year-old Japanese male university student with a soft, slightly grown-out mushroom-style haircut and a gentle friendly face, slim slender build (not athletic). He wears relaxed early-summer loungewear: a slightly worn, wrinkled plain light-grey oversized t-shirt, loose black sweatpants-style easy pants, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.

sheet-age30

a-30-back
a-30-back
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: a-30-option1.png, a-30-fullbody-front.jpg, a-30-profile-right.jpg, a-30-profile-left.jpg
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait seen directly from behind, entire figure visible from head to shoes, showing the back of the hairstyle and clothes. The character is 'A', the same Japanese man now in his early 30s (around 30-35). The mushroom haircut of his student years has matured into a neat short style; same gentle friendly face, slim slender build (not athletic). He wears weekend smart-casual: a plain white crew-neck t-shirt under an open light-grey unstructured shirt jacket with a soft camp collar, black tapered trousers with a centre crease, and clean white leather sneakers. A thin brushed-silver wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-30-expr-laugh
a-30-expr-laugh
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: a-30-option1.png, a-30-fullbody-front.jpg, a-30-profile-right.jpg, a-30-profile-left.jpg, a-30-back.jpg
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, laughing openly and naturally. The character is 'A', the same Japanese man now in his early 30s (around 30-35). The mushroom haircut of his student years has matured into a neat short style; same gentle friendly face, slim slender build (not athletic). He wears weekend smart-casual: a plain white crew-neck t-shirt under an open light-grey unstructured shirt jacket with a soft camp collar, black tapered trousers with a centre crease, and clean white leather sneakers. A thin brushed-silver wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-30-expr-melancholy
a-30-expr-melancholy
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: a-30-option1.png, a-30-profile-left.jpg, a-30-back.jpg, a-30-expr-laugh.jpg, a-30-expr-serious.jpg
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, eyes slightly lowered, with a subtle melancholy expression. The character is 'A', the same Japanese man now in his early 30s (around 30-35). The mushroom haircut of his student years has matured into a neat short style; same gentle friendly face, slim slender build (not athletic). He wears weekend smart-casual: a plain white crew-neck t-shirt under an open light-grey unstructured shirt jacket with a soft camp collar, black tapered trousers with a centre crease, and clean white leather sneakers. A thin brushed-silver wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-30-expr-serious
a-30-expr-serious
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: a-30-option1.png, a-30-profile-right.jpg, a-30-profile-left.jpg, a-30-back.jpg, a-30-expr-laugh.jpg
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, with a quiet serious expression. The character is 'A', the same Japanese man now in his early 30s (around 30-35). The mushroom haircut of his student years has matured into a neat short style; same gentle friendly face, slim slender build (not athletic). He wears weekend smart-casual: a plain white crew-neck t-shirt under an open light-grey unstructured shirt jacket with a soft camp collar, black tapered trousers with a centre crease, and clean white leather sneakers. A thin brushed-silver wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-30-fullbody-front
a-30-fullbody-front
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: a-30-option1.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait, facing the camera straight on, arms relaxed at the sides, entire figure visible from head to shoes. The character is 'A', the same Japanese man now in his early 30s (around 30-35). The mushroom haircut of his student years has matured into a neat short style; same gentle friendly face, slim slender build (not athletic). He wears weekend smart-casual: a plain white crew-neck t-shirt under an open light-grey unstructured shirt jacket with a soft camp collar, black tapered trousers with a centre crease, and clean white leather sneakers. A thin brushed-silver wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-30-profile-left
a-30-profile-left
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: a-30-option1.png, a-30-fullbody-front.jpg, a-30-profile-right.jpg
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing left, showing the left side of the face. The character is 'A', the same Japanese man now in his early 30s (around 30-35). The mushroom haircut of his student years has matured into a neat short style; same gentle friendly face, slim slender build (not athletic). He wears weekend smart-casual: a plain white crew-neck t-shirt under an open light-grey unstructured shirt jacket with a soft camp collar, black tapered trousers with a centre crease, and clean white leather sneakers. A thin brushed-silver wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-30-profile-right
a-30-profile-right
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: a-30-option1.png, a-30-fullbody-front.jpg
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing right, showing the right side of the face. The character is 'A', the same Japanese man now in his early 30s (around 30-35). The mushroom haircut of his student years has matured into a neat short style; same gentle friendly face, slim slender build (not athletic). He wears weekend smart-casual: a plain white crew-neck t-shirt under an open light-grey unstructured shirt jacket with a soft camp collar, black tapered trousers with a centre crease, and clean white leather sneakers. A thin brushed-silver wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.

sheet-highschool

a-hs-back
a-hs-back
1792×2400
refs: a-highschool-base.png, a-hs-fullbody-front.png, a-hs-profile-right.png, a-hs-profile-left.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait seen directly from behind, entire figure visible from head to shoes, showing the back of the hairstyle and uniform. The character is 'A', a 17-year-old Japanese male high school student with a soft mushroom-style haircut, gentle friendly face, slim slender build (not athletic, a quiet photography-club student). He wears a navy blazer school uniform with a white shirt, grey necktie, dark grey trousers and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-hs-expr-laugh
a-hs-expr-laugh
1792×2400
refs: a-highschool-base.png, a-hs-fullbody-front.png, a-hs-profile-right.png, a-hs-profile-left.png, a-hs-back.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, laughing openly and naturally. The character is 'A', a 17-year-old Japanese male high school student with a soft mushroom-style haircut, gentle friendly face, slim slender build (not athletic, a quiet photography-club student). He wears a navy blazer school uniform with a white shirt, grey necktie, dark grey trousers and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-hs-expr-melancholy
a-hs-expr-melancholy
1792×2400
refs: a-hs-profile-right.png, a-hs-profile-left.png, a-hs-back.png, a-hs-expr-laugh.png, a-hs-expr-serious.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, eyes slightly lowered, with a subtle melancholy expression. The character is 'A', a 17-year-old Japanese male high school student with a soft mushroom-style haircut, gentle friendly face, slim slender build (not athletic, a quiet photography-club student). He wears a navy blazer school uniform with a white shirt, grey necktie, dark grey trousers and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-hs-expr-serious
a-hs-expr-serious
1792×2400
refs: a-hs-fullbody-front.png, a-hs-profile-right.png, a-hs-profile-left.png, a-hs-back.png, a-hs-expr-laugh.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, with a quiet serious expression. The character is 'A', a 17-year-old Japanese male high school student with a soft mushroom-style haircut, gentle friendly face, slim slender build (not athletic, a quiet photography-club student). He wears a navy blazer school uniform with a white shirt, grey necktie, dark grey trousers and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-hs-fullbody-front
a-hs-fullbody-front
1792×2400
refs: a-highschool-base.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait, facing the camera straight on, arms relaxed at the sides, entire figure visible from head to shoes. The character is 'A', a 17-year-old Japanese male high school student with a soft mushroom-style haircut, gentle friendly face, slim slender build (not athletic, a quiet photography-club student). He wears a navy blazer school uniform with a white shirt, grey necktie, dark grey trousers and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-hs-profile-left
a-hs-profile-left
1792×2400
refs: a-highschool-base.png, a-hs-fullbody-front.png, a-hs-profile-right.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing left, showing the left side of the face. The character is 'A', a 17-year-old Japanese male high school student with a soft mushroom-style haircut, gentle friendly face, slim slender build (not athletic, a quiet photography-club student). He wears a navy blazer school uniform with a white shirt, grey necktie, dark grey trousers and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-hs-profile-right
a-hs-profile-right
1792×2400
refs: a-highschool-base.png, a-hs-fullbody-front.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing right, showing the right side of the face. The character is 'A', a 17-year-old Japanese male high school student with a soft mushroom-style haircut, gentle friendly face, slim slender build (not athletic, a quiet photography-club student). He wears a navy blazer school uniform with a white shirt, grey necktie, dark grey trousers and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.

sheet-highschool-casual

a-hs-casual-back
a-hs-casual-back
1696×2528
gemini-3-pro-image2:32Kstudio
refs: a-hs-fullbody-front.png, a-hs-back.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait seen from directly behind, the back of the head and the whole back of the figure visible from head to shoes, face not visible. The character is 'A', a 17-year-old Japanese male high school student with a soft mushroom-style haircut, gentle friendly face, slim slender build (not athletic, a quiet photography-club student). He wears everyday casual clothes, not a school uniform: a washed light-grey hooded sweatshirt worn under an open black nylon coach jacket, slim black denim jeans, and plain black low-top canvas sneakers. Early March, still cold. No school uniform, no blazer, no necktie, no school bag anywhere in the picture. Keep the face, hairstyle and body exactly consistent with the reference images; only the clothes are different. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
a-hs-casual-front
a-hs-casual-front
1696×2528
gemini-3-pro-image2:32Kstudio
refs: a-hs-fullbody-front.png, a-highschool-base.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait, facing the camera straight on, arms relaxed at the sides, entire figure visible from head to shoes. The character is 'A', a 17-year-old Japanese male high school student with a soft mushroom-style haircut, gentle friendly face, slim slender build (not athletic, a quiet photography-club student). He wears everyday casual clothes, not a school uniform: a washed light-grey hooded sweatshirt worn under an open black nylon coach jacket, slim black denim jeans, and plain black low-top canvas sneakers. Early March, still cold. No school uniform, no blazer, no necktie, no school bag anywhere in the picture. Keep the face, hairstyle and body exactly consistent with the reference images; only the clothes are different. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.

人物 — K

A と同じ構成。20歳はダル着、30代は A と配色を揃えている(「互いに移り合った」ことの視覚的な韻)。

age-20

k-20-option1
k-20-option1
1792×2400
refs: k-highschool-base.png, k-hs-fullbody-front.png, k-hs-expr-serious.png
プロンプト
Using the provided reference images of the same single character as a 17-year-old, generate the SAME person now aged 20, a Japanese university student. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to 20 and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos. Outfit: a plain white t-shirt under an unbuttoned light-blue open-collar shirt, loose wide-leg blue jeans, white sneakers. Same short bob haircut. She now wears subtle natural makeup (light tint on lips, natural tone), still understated.
k-20-option2
k-20-option2
1792×2400
refs: k-highschool-base.png, k-hs-fullbody-front.png, k-hs-expr-serious.png
プロンプト
Using the provided reference images of the same single character as a 17-year-old, generate the SAME person now aged 20, a Japanese university student. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to 20 and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos. Outfit: an oversized beige knit sweater, black wide-leg trousers, dark loafers. Same short bob haircut. She now wears subtle natural makeup (light tint on lips, natural tone), still understated.
k-20-option3
k-20-option3
1792×2400
refs: k-highschool-base.png, k-hs-fullbody-front.png, k-hs-expr-serious.png
プロンプト
Using the provided reference images of the same single character as a 17-year-old, generate the SAME person now aged 20, a Japanese university student. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to 20 and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos. Outfit for an early-summer night: an oversized plain white t-shirt, loosely tucked in front, and denim short shorts, with white sneakers. Same short bob haircut. She now wears subtle natural makeup (light tint on lips, natural tone), still understated.
k-20-option4
k-20-option4
1792×2400
refs: k-highschool-base.png, k-hs-fullbody-front.png, k-hs-expr-serious.png
プロンプト
Using the provided reference images of the same single character as a 17-year-old, generate the SAME person now aged 20, a Japanese university student. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to 20 and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos. Outfit: relaxed loungewear she would wear at home on an early-summer night — a faded, slightly oversized plain off-white t-shirt hanging loose, loose grey sweat shorts, and plain slide sandals over bare feet. Hair slightly tousled. Same short bob haircut. She wears very subtle natural makeup, almost bare.

age-30

k-30-option1
k-30-option1
1792×2400
refs: k-highschool-base.png, k-20-option4.png, k-20-expr-serious.png
プロンプト
Using the provided reference images of the same single character at ages 17 and 20, generate the SAME person now in their early 30s (around 30-35), a Japanese adult. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to their early 30s and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. A thin wedding band on the left ring finger. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No other props, no text, no logos. Outfit: clean feminine casual — a white blouse with a soft collar, high-waist beige wide trousers, low heels, small stud earrings. Neat chin-length bob. She now wears proper polished makeup (defined brows, eye makeup, tinted lips), elegant but not flashy. Wedding band: thin gold.
k-30-option2
k-30-option2
1792×2400
refs: k-highschool-base.png, k-20-option4.png, k-20-expr-serious.png
プロンプト
Using the provided reference images of the same single character at ages 17 and 20, generate the SAME person now in their early 30s (around 30-35), a Japanese adult. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to their early 30s and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. A thin wedding band on the left ring finger. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No other props, no text, no logos. Outfit: boyish grown-up casual — an oversized light-grey shirt loosely tucked into black tapered trousers, flat leather shoes, a simple thin necklace. Neat chin-length bob. She now wears proper polished makeup (defined brows, eye makeup, tinted lips), understated. Wedding band: thin gold.
k-30-option3
k-30-option3
1792×2400
refs: k-highschool-base.png, k-20-option4.png, k-20-expr-serious.png
プロンプト
Using the provided reference images of the same single character at ages 17 and 20, generate the SAME person now in their early 30s (around 30-35), a Japanese adult. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to their early 30s and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. A thin wedding band on the left ring finger. Style direction: fashionable Tokyo Shimokitazawa vintage-shop style — curated secondhand clothes worn with taste, relaxed silhouettes, retro fabrics, nothing flashy. No brand logos or lettering on any clothing. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No other props, no text. Outfit: a vintage printed open-collar blouse in a muted retro pattern (dusty orange and cream) loosely tucked into high-waist faded vintage wide jeans, flat leather shoes, small gold hoop earrings. Neat chin-length bob. Proper polished makeup (defined brows, eye makeup, tinted lips), tasteful. Wedding band: thin gold.
k-30-option4
k-30-option4
1792×2400
refs: k-highschool-base.png, k-20-option4.png, k-20-expr-serious.png
プロンプト
Using the provided reference images of the same single character at ages 17 and 20, generate the SAME person now in their early 30s (around 30-35), a Japanese adult. Keep the identity, bone structure, eyes, nose and mouth exactly the same as the reference images; only age the person naturally to their early 30s and change the outfit. Slim slender build. Full-body standing portrait facing the camera, entire figure visible from head to shoes. A thin wedding band on the left ring finger. Style direction: fashionable Tokyo Shimokitazawa vintage-shop style — curated secondhand clothes worn with taste, relaxed silhouettes, retro fabrics, nothing flashy. No brand logos or lettering on any clothing. Photorealistic cinematic still, soft window light, muted film-like color grading, plain neutral light-grey background. No other props, no text. Outfit: a calf-length vintage dress in a muted small floral print with a relaxed silhouette, a short open beige cardigan, flat ballet shoes, small gold earrings. Neat chin-length bob. Proper polished makeup (defined brows, eye makeup, tinted lips), tasteful. Wedding band: thin gold.

character-k

candidate-1
candidate-1
864×1184
プロンプト
Photorealistic cinematic portrait, bust-up, of a 17-year-old Japanese female high school student, character 'K' for a short film. She wears a navy blazer school uniform with a ribbon bow. Completely bare face with NO makeup: natural teenage skin, unpainted lips, natural eyebrows. Soft warm late-afternoon window light, muted film-like color grading, shallow depth of field, plain neutral background. She looks slightly off camera with a calm natural expression. No props. No text, no watermark. Face type: classic and neat. Long straight black hair, oval face, gentle almond-shaped double-lidded eyes, composed and quiet impression.
candidate-2
candidate-2
864×1184
プロンプト
Photorealistic cinematic portrait, bust-up, of a 17-year-old Japanese female high school student, character 'K' for a short film. She wears a navy blazer school uniform with a ribbon bow. Completely bare face with NO makeup: natural teenage skin, unpainted lips, natural eyebrows. Soft warm late-afternoon window light, muted film-like color grading, shallow depth of field, plain neutral background. She looks slightly off camera with a calm natural expression. No props. No text, no watermark. Face type: boyish and lively. Short bob hair above the shoulders, slightly tanned skin, bright expressive eyes, faint playful smile, energetic impression.
candidate-3
candidate-3
864×1184
プロンプト
Photorealistic cinematic portrait, bust-up, of a 17-year-old Japanese female high school student, character 'K' for a short film. She wears a navy blazer school uniform with a ribbon bow. Completely bare face with NO makeup: natural teenage skin, unpainted lips, natural eyebrows. Soft warm late-afternoon window light, muted film-like color grading, shallow depth of field, plain neutral background. She looks slightly off camera with a calm natural expression. No props. No text, no watermark. Face type: soft and youthful. Round face with full cheeks, shoulder-length dark brown hair with straight bangs, big round eyes, innocent and sweet impression.
candidate-4
candidate-4
864×1184
プロンプト
Photorealistic cinematic portrait, bust-up, of a 17-year-old Japanese female high school student, character 'K' for a short film. She wears a navy blazer school uniform with a ribbon bow. Completely bare face with NO makeup: natural teenage skin, unpainted lips, natural eyebrows. Soft warm late-afternoon window light, muted film-like color grading, shallow depth of field, plain neutral background. She looks slightly off camera with a calm natural expression. No props. No text, no watermark. Face type: cool and sharp. Long face with defined cheekbones, narrow single-lidded almond eyes, low loose ponytail, aloof and mysterious impression.
k-highschool-base
k-highschool-base
864×1184
プロンプト
Edit this image. Keep the same person: identical short bob hairstyle, bright eyes, faint playful smile, bare face with no makeup, navy blazer school uniform with ribbon, pose, lighting and background. Only refine the face shape: make the facial contour slimmer and less round, with a subtly defined jawline and reduced cheek fullness, while keeping her a natural 17-year-old. No props, no text, no logos.

sheet-age20

k-20-back
k-20-back
1792×2400
refs: k-20-option4.png, k-20-fullbody-front.png, k-20-profile-right.png, k-20-profile-left.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait seen directly from behind, entire figure visible from head to sandals, showing the back of the hairstyle and clothes. The character is 'K', a 20-year-old Japanese female university student with a short, slightly tousled bob haircut, bright eyes, a slim face with a subtly defined jawline, very subtle natural makeup, slim slender build (not athletic). She wears relaxed early-summer loungewear: a faded, slightly oversized plain off-white t-shirt hanging loose, loose grey sweat shorts, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-20-expr-laugh
k-20-expr-laugh
1792×2400
refs: k-20-option4.png, k-20-fullbody-front.png, k-20-profile-right.png, k-20-profile-left.png, k-20-back.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, laughing openly and naturally. The character is 'K', a 20-year-old Japanese female university student with a short, slightly tousled bob haircut, bright eyes, a slim face with a subtly defined jawline, very subtle natural makeup, slim slender build (not athletic). She wears relaxed early-summer loungewear: a faded, slightly oversized plain off-white t-shirt hanging loose, loose grey sweat shorts, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-20-expr-melancholy
k-20-expr-melancholy
1792×2400
refs: k-20-option4.png, k-20-profile-left.png, k-20-back.png, k-20-expr-laugh.png, k-20-expr-serious.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, eyes slightly lowered, with a subtle melancholy expression. The character is 'K', a 20-year-old Japanese female university student with a short, slightly tousled bob haircut, bright eyes, a slim face with a subtly defined jawline, very subtle natural makeup, slim slender build (not athletic). She wears relaxed early-summer loungewear: a faded, slightly oversized plain off-white t-shirt hanging loose, loose grey sweat shorts, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-20-expr-serious
k-20-expr-serious
1792×2400
refs: k-20-option4.png, k-20-profile-right.png, k-20-profile-left.png, k-20-back.png, k-20-expr-laugh.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, with a quiet serious expression. The character is 'K', a 20-year-old Japanese female university student with a short, slightly tousled bob haircut, bright eyes, a slim face with a subtly defined jawline, very subtle natural makeup, slim slender build (not athletic). She wears relaxed early-summer loungewear: a faded, slightly oversized plain off-white t-shirt hanging loose, loose grey sweat shorts, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-20-fullbody-front
k-20-fullbody-front
1792×2400
refs: k-20-option4.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait, facing the camera straight on, arms relaxed at the sides, entire figure visible from head to sandals. The character is 'K', a 20-year-old Japanese female university student with a short, slightly tousled bob haircut, bright eyes, a slim face with a subtly defined jawline, very subtle natural makeup, slim slender build (not athletic). She wears relaxed early-summer loungewear: a faded, slightly oversized plain off-white t-shirt hanging loose, loose grey sweat shorts, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-20-profile-left
k-20-profile-left
1792×2400
refs: k-20-option4.png, k-20-fullbody-front.png, k-20-profile-right.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing left, showing the left side of the face. The character is 'K', a 20-year-old Japanese female university student with a short, slightly tousled bob haircut, bright eyes, a slim face with a subtly defined jawline, very subtle natural makeup, slim slender build (not athletic). She wears relaxed early-summer loungewear: a faded, slightly oversized plain off-white t-shirt hanging loose, loose grey sweat shorts, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-20-profile-right
k-20-profile-right
1792×2400
refs: k-20-option4.png, k-20-fullbody-front.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing right, showing the right side of the face. The character is 'K', a 20-year-old Japanese female university student with a short, slightly tousled bob haircut, bright eyes, a slim face with a subtly defined jawline, very subtle natural makeup, slim slender build (not athletic). She wears relaxed early-summer loungewear: a faded, slightly oversized plain off-white t-shirt hanging loose, loose grey sweat shorts, and plain slide sandals over bare feet. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.

sheet-age30

k-30-back
k-30-back
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: k-30-option2.png, k-30-fullbody-front.jpg, k-30-profile-right.jpg, k-30-profile-left.jpg
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait seen directly from behind, entire figure visible from head to shoes, showing the back of the hairstyle and clothes. The character is 'K', the same Japanese woman now in her early 30s (around 30-35), with a neat chin-length bob and polished but understated makeup (defined brows, eye makeup, tinted lips), slim slender build. She wears boyish grown-up casual: an oversized light-grey short-sleeve t-shirt worn loose, black tapered cropped trousers with a centre crease, black leather loafers, and a thin gold chain necklace. A thin gold wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-30-expr-laugh
k-30-expr-laugh
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: k-30-option2.png, k-30-fullbody-front.jpg, k-30-profile-right.jpg, k-30-profile-left.jpg, k-30-back.jpg
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, laughing openly and naturally. The character is 'K', the same Japanese woman now in her early 30s (around 30-35), with a neat chin-length bob and polished but understated makeup (defined brows, eye makeup, tinted lips), slim slender build. She wears boyish grown-up casual: an oversized light-grey short-sleeve t-shirt worn loose, black tapered cropped trousers with a centre crease, black leather loafers, and a thin gold chain necklace. A thin gold wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-30-expr-melancholy
k-30-expr-melancholy
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: k-30-option2.png, k-30-profile-left.jpg, k-30-back.jpg, k-30-expr-laugh.jpg, k-30-expr-serious.jpg
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, eyes slightly lowered, with a subtle melancholy expression. The character is 'K', the same Japanese woman now in her early 30s (around 30-35), with a neat chin-length bob and polished but understated makeup (defined brows, eye makeup, tinted lips), slim slender build. She wears boyish grown-up casual: an oversized light-grey short-sleeve t-shirt worn loose, black tapered cropped trousers with a centre crease, black leather loafers, and a thin gold chain necklace. A thin gold wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-30-expr-serious
k-30-expr-serious
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: k-30-option2.png, k-30-profile-right.jpg, k-30-profile-left.jpg, k-30-back.jpg, k-30-expr-laugh.jpg
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, with a quiet serious expression. The character is 'K', the same Japanese woman now in her early 30s (around 30-35), with a neat chin-length bob and polished but understated makeup (defined brows, eye makeup, tinted lips), slim slender build. She wears boyish grown-up casual: an oversized light-grey short-sleeve t-shirt worn loose, black tapered cropped trousers with a centre crease, black leather loafers, and a thin gold chain necklace. A thin gold wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-30-fullbody-front
k-30-fullbody-front
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: k-30-option2.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait, facing the camera straight on, arms relaxed at the sides, entire figure visible from head to shoes. The character is 'K', the same Japanese woman now in her early 30s (around 30-35), with a neat chin-length bob and polished but understated makeup (defined brows, eye makeup, tinted lips), slim slender build. She wears boyish grown-up casual: an oversized light-grey short-sleeve t-shirt worn loose, black tapered cropped trousers with a centre crease, black leather loafers, and a thin gold chain necklace. A thin gold wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-30-profile-left
k-30-profile-left
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: k-30-option2.png, k-30-fullbody-front.jpg, k-30-profile-right.jpg
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing left, showing the left side of the face. The character is 'K', the same Japanese woman now in her early 30s (around 30-35), with a neat chin-length bob and polished but understated makeup (defined brows, eye makeup, tinted lips), slim slender build. She wears boyish grown-up casual: an oversized light-grey short-sleeve t-shirt worn loose, black tapered cropped trousers with a centre crease, black leather loafers, and a thin gold chain necklace. A thin gold wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-30-profile-right
k-30-profile-right
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: k-30-option2.png, k-30-fullbody-front.jpg
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing right, showing the right side of the face. The character is 'K', the same Japanese woman now in her early 30s (around 30-35), with a neat chin-length bob and polished but understated makeup (defined brows, eye makeup, tinted lips), slim slender build. She wears boyish grown-up casual: an oversized light-grey short-sleeve t-shirt worn loose, black tapered cropped trousers with a centre crease, black leather loafers, and a thin gold chain necklace. A thin gold wedding band on the left ring finger. Keep the face, hairstyle, body and outfit exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.

sheet-highschool

k-hs-back
k-hs-back
1792×2400
refs: k-highschool-base.png, k-hs-fullbody-front.png, k-hs-profile-right.png, k-hs-profile-left.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait seen directly from behind, entire figure visible from head to shoes, showing the back of the hairstyle and uniform. The character is 'K', a 17-year-old Japanese female high school student with a short bob haircut, bright eyes, a slim face with a subtly defined jawline, bare face with no makeup, slim slender build (not athletic, a quiet photography-club student). She wears a navy blazer school uniform with a white shirt, a red ribbon bow, a navy pleated skirt and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-hs-expr-laugh
k-hs-expr-laugh
1792×2400
refs: k-highschool-base.png, k-hs-fullbody-front.png, k-hs-profile-right.png, k-hs-profile-left.png, k-hs-back.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, laughing openly and naturally. The character is 'K', a 17-year-old Japanese female high school student with a short bob haircut, bright eyes, a slim face with a subtly defined jawline, bare face with no makeup, slim slender build (not athletic, a quiet photography-club student). She wears a navy blazer school uniform with a white shirt, a red ribbon bow, a navy pleated skirt and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-hs-expr-melancholy
k-hs-expr-melancholy
1792×2400
refs: k-highschool-base.png, k-hs-profile-left.png, k-hs-back.png, k-hs-expr-laugh.png, k-hs-expr-serious.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, eyes slightly lowered, with a subtle melancholy expression. The character is 'K', a 17-year-old Japanese female high school student with a short bob haircut, bright eyes, a slim face with a subtly defined jawline, bare face with no makeup, slim slender build (not athletic, a quiet photography-club student). She wears a navy blazer school uniform with a white shirt, a red ribbon bow, a navy pleated skirt and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-hs-expr-serious
k-hs-expr-serious
1792×2400
refs: k-highschool-base.png, k-hs-profile-right.png, k-hs-profile-left.png, k-hs-back.png, k-hs-expr-laugh.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait facing the camera, with a quiet serious expression. The character is 'K', a 17-year-old Japanese female high school student with a short bob haircut, bright eyes, a slim face with a subtly defined jawline, bare face with no makeup, slim slender build (not athletic, a quiet photography-club student). She wears a navy blazer school uniform with a white shirt, a red ribbon bow, a navy pleated skirt and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-hs-fullbody-front
k-hs-fullbody-front
1792×2400
refs: k-highschool-base.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait, facing the camera straight on, arms relaxed at the sides, entire figure visible from head to shoes. The character is 'K', a 17-year-old Japanese female high school student with a short bob haircut, bright eyes, a slim face with a subtly defined jawline, bare face with no makeup, slim slender build (not athletic, a quiet photography-club student). She wears a navy blazer school uniform with a white shirt, a red ribbon bow, a navy pleated skirt and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-hs-profile-left
k-hs-profile-left
1792×2400
refs: k-highschool-base.png, k-hs-fullbody-front.png, k-hs-profile-right.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing left, showing the left side of the face. The character is 'K', a 17-year-old Japanese female high school student with a short bob haircut, bright eyes, a slim face with a subtly defined jawline, bare face with no makeup, slim slender build (not athletic, a quiet photography-club student). She wears a navy blazer school uniform with a white shirt, a red ribbon bow, a navy pleated skirt and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-hs-profile-right
k-hs-profile-right
1792×2400
refs: k-highschool-base.png, k-hs-fullbody-front.png
プロンプト
Using the provided reference images of the same single character, generate a bust-up portrait in perfect profile, facing right, showing the right side of the face. The character is 'K', a 17-year-old Japanese female high school student with a short bob haircut, bright eyes, a slim face with a subtly defined jawline, bare face with no makeup, slim slender build (not athletic, a quiet photography-club student). She wears a navy blazer school uniform with a white shirt, a red ribbon bow, a navy pleated skirt and dark loafers. Keep the face, hairstyle and body exactly consistent with the reference images. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.

sheet-highschool-casual

k-hs-casual-back
k-hs-casual-back
1696×2528
gemini-3-pro-image2:32Kstudio
refs: k-hs-fullbody-front.png, k-hs-back.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait seen from directly behind, the back of the head and the whole back of the figure visible from head to shoes, face not visible. The character is 'K', a 17-year-old Japanese female high school student with a short slightly tousled bob haircut, bright eyes, a slim face, slim slender build (not athletic). She wears everyday casual clothes, not a school uniform: an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. Early March, still cold. No school uniform, no blazer, no sailor collar, no necktie, no ribbon, no school bag anywhere in the picture. Keep the face, hairstyle and body exactly consistent with the reference images; only the clothes are different. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
k-hs-casual-front
k-hs-casual-front
1696×2528
gemini-3-pro-image2:32Kstudio
refs: k-hs-fullbody-front.png, k-highschool-base.png
プロンプト
Using the provided reference images of the same single character, generate a full-body standing portrait, facing the camera straight on, arms relaxed at the sides, entire figure visible from head to shoes. The character is 'K', a 17-year-old Japanese female high school student with a short slightly tousled bob haircut, bright eyes, a slim face, slim slender build (not athletic). She wears everyday casual clothes, not a school uniform: an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. Early March, still cold. No school uniform, no blazer, no sailor collar, no necktie, no ribbon, no school bag anywhere in the picture. Keep the face, hairstyle and body exactly consistent with the reference images; only the clothes are different. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.

ロケ地

各場所は超広角のマスター1枚(21:9・4K)と、そこからの切り出しでできている。別アングルを生成し直すとモデルが別の部屋を作ってしまうため、同じ画像から切ることで一致を保証している。

a-room

a-room-balcony
a-room-balcony
2154×1212
refs: a-room-master.jpg
プロンプト
A young Japanese man's small rented apartment room at night, seen as a single very wide master plate that takes in the whole room. On one side a desk against the wall with a laptop closed, a desk lamp, scattered papers, a film camera and a chipped mug; bookshelves above it crowded with paperbacks and boxes. In the middle a low bed with rumpled sheets and a floor cushion. On the other side a sliding glass door to a narrow balcony, curtain half open, with the balcony railing and the dark blue city night beyond it. Worn tatami-edged flooring, a small round paper lampshade overhead. Cold blue night outside, warm low tungsten inside, the two temperatures meeting at the glass. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
a-room-desk
a-room-desk
2154×1212
refs: a-room-master.jpg
プロンプト
A young Japanese man's small rented apartment room at night, seen as a single very wide master plate that takes in the whole room. On one side a desk against the wall with a laptop closed, a desk lamp, scattered papers, a film camera and a chipped mug; bookshelves above it crowded with paperbacks and boxes. In the middle a low bed with rumpled sheets and a floor cushion. On the other side a sliding glass door to a narrow balcony, curtain half open, with the balcony railing and the dark blue city night beyond it. Worn tatami-edged flooring, a small round paper lampshade overhead. Cold blue night outside, warm low tungsten inside, the two temperatures meeting at the glass. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
a-room-master
a-room-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
A young Japanese man's small rented apartment room at night, seen as a single very wide master plate that takes in the whole room. On one side a desk against the wall with a laptop closed, a desk lamp, scattered papers, a film camera and a chipped mug; bookshelves above it crowded with paperbacks and boxes. In the middle a low bed with rumpled sheets and a floor cushion. On the other side a sliding glass door to a narrow balcony, curtain half open, with the balcony railing and the dark blue city night beyond it. Worn tatami-edged flooring, a small round paper lampshade overhead. Cold blue night outside, warm low tungsten inside, the two temperatures meeting at the glass. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
a-room-wide
a-room-wide
4777×2687
refs: a-room-master.jpg
プロンプト
A young Japanese man's small rented apartment room at night, seen as a single very wide master plate that takes in the whole room. On one side a desk against the wall with a laptop closed, a desk lamp, scattered papers, a film camera and a chipped mug; bookshelves above it crowded with paperbacks and boxes. In the middle a low bed with rumpled sheets and a floor cushion. On the other side a sliding glass door to a narrow balcony, curtain half open, with the balcony railing and the dark blue city night beyond it. Worn tatami-edged flooring, a small round paper lampshade overhead. Cold blue night outside, warm low tungsten inside, the two temperatures meeting at the glass. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

airport-gate

airport-gate-master
airport-gate-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
A departure gate lounge in a modern airport, seen very wide and empty of people. Rows of linked seats in muted upholstery, a boarding desk with dark blank monitors, a wide glass wall looking out onto the apron where a white unmarked aircraft waits under a grey overcast sky. Polished floor with reflections, ceiling downlights. Flat neutral daylight from the glass, cool and impersonal. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
airport-gate-wide
airport-gate-wide
4777×2687
refs: airport-gate-master.jpg
プロンプト
A departure gate lounge in a modern airport, seen very wide and empty of people. Rows of linked seats in muted upholstery, a boarding desk with dark blank monitors, a wide glass wall looking out onto the apron where a white unmarked aircraft waits under a grey overcast sky. Polished floor with reflections, ceiling downlights. Flat neutral daylight from the glass, cool and impersonal. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

beach

beach-master
beach-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
A deserted Japanese beach in March, seen as a single very wide master plate taking in the whole stretch of shore. Grey-gold sand with wind ripples and scattered driftwood in the foreground, the wet shining band of the tide line through the middle, small tired waves and a flat horizon beyond. A low sea wall and wind-bent pines at the far left edge. Nobody in sight, no footprints, out of season and cold. Afternoon light, warm and slightly hazy, the sun low enough to lay a long glitter path on the water. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
beach-sand
beach-sand
2661×1497
refs: beach-master.jpg
プロンプト
A deserted Japanese beach in March, seen as a single very wide master plate taking in the whole stretch of shore. Grey-gold sand with wind ripples and scattered driftwood in the foreground, the wet shining band of the tide line through the middle, small tired waves and a flat horizon beyond. A low sea wall and wind-bent pines at the far left edge. Nobody in sight, no footprints, out of season and cold. Afternoon light, warm and slightly hazy, the sun low enough to lay a long glitter path on the water. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
beach-tideline
beach-tideline
2534×1425
refs: beach-master.jpg
プロンプト
A deserted Japanese beach in March, seen as a single very wide master plate taking in the whole stretch of shore. Grey-gold sand with wind ripples and scattered driftwood in the foreground, the wet shining band of the tide line through the middle, small tired waves and a flat horizon beyond. A low sea wall and wind-bent pines at the far left edge. Nobody in sight, no footprints, out of season and cold. Afternoon light, warm and slightly hazy, the sun low enough to lay a long glitter path on the water. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
beach-wide
beach-wide
4777×2687
refs: beach-master.jpg
プロンプト
A deserted Japanese beach in March, seen as a single very wide master plate taking in the whole stretch of shore. Grey-gold sand with wind ripples and scattered driftwood in the foreground, the wet shining band of the tide line through the middle, small tired waves and a flat horizon beyond. A low sea wall and wind-bent pines at the far left edge. Nobody in sight, no footprints, out of season and cold. Afternoon light, warm and slightly hazy, the sun low enough to lay a long glitter path on the water. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

beach-parking

beach-parking-master
beach-parking-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
A small ordinary seaside car park in Japan in March, seen as a single very wide master plate. A patch of cracked asphalt with faded white parking bays, a low concrete kerb and a rusting steel guardrail along its seaward edge, a couple of vending machines and a shuttered beach-house kiosk at one side, wind-bent pines behind. Beyond the guardrail, a set of worn concrete steps drops down to the sand, and past that the flat grey-blue sea and a low horizon. It is out of season: the bays are empty, the kiosk is closed, litter bins are chained shut, nobody in sight. Afternoon light, warm and slightly hazy. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people, no cars. No brand logos, no readable text or lettering anywhere, no watermark.
beach-parking-steps
beach-parking-steps
2218×1248
refs: beach-parking-master.jpg
プロンプト
A small ordinary seaside car park in Japan in March, seen as a single very wide master plate. A patch of cracked asphalt with faded white parking bays, a low concrete kerb and a rusting steel guardrail along its seaward edge, a couple of vending machines and a shuttered beach-house kiosk at one side, wind-bent pines behind. Beyond the guardrail, a set of worn concrete steps drops down to the sand, and past that the flat grey-blue sea and a low horizon. It is out of season: the bays are empty, the kiosk is closed, litter bins are chained shut, nobody in sight. Afternoon light, warm and slightly hazy. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people, no cars. No brand logos, no readable text or lettering anywhere, no watermark.
beach-parking-wide
beach-parking-wide
3802×2139
refs: beach-parking-master.jpg
プロンプト
A small ordinary seaside car park in Japan in March, seen as a single very wide master plate. A patch of cracked asphalt with faded white parking bays, a low concrete kerb and a rusting steel guardrail along its seaward edge, a couple of vending machines and a shuttered beach-house kiosk at one side, wind-bent pines behind. Beyond the guardrail, a set of worn concrete steps drops down to the sand, and past that the flat grey-blue sea and a low horizon. It is out of season: the bays are empty, the kiosk is closed, litter bins are chained shut, nobody in sight. Afternoon light, warm and slightly hazy. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people, no cars. No brand logos, no readable text or lettering anywhere, no watermark.

cafe-exterior

cafe-exterior-master
cafe-exterior-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
The street frontage of an old Japanese coffee shop on a modern city block, afternoon, empty of people. A narrow tiled facade darkened with age, a wooden door with a brass handle, a large window with net curtains half drawn, a weathered awning, potted plants either side of the step, and a small plain sign hanging by the door. Newer buildings crowd it on both sides, making it read as a survivor. Soft warm mid-afternoon light along the street, long shadows from the buildings opposite. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
cafe-exterior-sign
cafe-exterior-sign
1901×1069
refs: cafe-exterior-master.jpg
プロンプト
The street frontage of an old Japanese coffee shop on a modern city block, afternoon, empty of people. A narrow tiled facade darkened with age, a wooden door with a brass handle, a large window with net curtains half drawn, a weathered awning, potted plants either side of the step, and a small plain sign hanging by the door. Newer buildings crowd it on both sides, making it read as a survivor. Soft warm mid-afternoon light along the street, long shadows from the buildings opposite. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
cafe-exterior-wide
cafe-exterior-wide
4777×2687
refs: cafe-exterior-master.jpg
プロンプト
The street frontage of an old Japanese coffee shop on a modern city block, afternoon, empty of people. A narrow tiled facade darkened with age, a wooden door with a brass handle, a large window with net curtains half drawn, a weathered awning, potted plants either side of the step, and a small plain sign hanging by the door. Newer buildings crowd it on both sides, making it read as a survivor. Soft warm mid-afternoon light along the street, long shadows from the buildings opposite. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

cafe-interior

cafe-interior-backtoback
cafe-interior-backtoback
3485×1960
refs: cafe-interior-master.jpg
プロンプト
The inside of an old Japanese kissaten in the afternoon, seen as a single very wide master plate, shot down the length of the room from the counter end toward the street door. THE ONE THING THIS PLATE EXISTS TO DEFINE IS THE PARTITION. Running down the centre of the room, along almost its entire length, is a back-to-back banquette: one long continuous bench seat on each side of a single shared partition. The partition is a SOLID PANEL OF DARK WOOD -- flat, unbroken, with a simple moulded cap along its top -- and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT, roughly 1.6 metres from the floor, so that a person sitting on one side cannot see the head or shoulders of a person sitting on the other. It reads as an interior wall that happens to have benches attached to it, not as the back of a sofa. It runs unbroken from close to the counter almost to the street door, long enough that from most places in the room you cannot see either end of it. There is no gap in it, no window in it, no opening in it, and it is not a short screen or a low sofa back. On the window side of the partition, small square tables with plain chairs opposite the bench, and a wall of tall windows behind them with net curtains diffusing the afternoon light. On the counter side, the same arrangement of tables, and beyond them a dark wooden counter with siphon coffee brewers and shelves of cups. Aged plaster walls, dark stained woodwork, a coat stand, an old ceiling fan, worn wooden floor, a faint haze of cigarette smoke in the light. Afternoon, soft warm daylight from the windows. Nobody in the room. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
cafe-interior-counter
cafe-interior-counter
2408×1354
refs: cafe-interior-master.jpg
プロンプト
The inside of an old Japanese kissaten in the afternoon, seen as a single very wide master plate, shot down the length of the room from the counter end toward the street door. THE ONE THING THIS PLATE EXISTS TO DEFINE IS THE PARTITION. Running down the centre of the room, along almost its entire length, is a back-to-back banquette: one long continuous bench seat on each side of a single shared partition. The partition is a SOLID PANEL OF DARK WOOD -- flat, unbroken, with a simple moulded cap along its top -- and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT, roughly 1.6 metres from the floor, so that a person sitting on one side cannot see the head or shoulders of a person sitting on the other. It reads as an interior wall that happens to have benches attached to it, not as the back of a sofa. It runs unbroken from close to the counter almost to the street door, long enough that from most places in the room you cannot see either end of it. There is no gap in it, no window in it, no opening in it, and it is not a short screen or a low sofa back. On the window side of the partition, small square tables with plain chairs opposite the bench, and a wall of tall windows behind them with net curtains diffusing the afternoon light. On the counter side, the same arrangement of tables, and beyond them a dark wooden counter with siphon coffee brewers and shelves of cups. Aged plaster walls, dark stained woodwork, a coat stand, an old ceiling fan, worn wooden floor, a faint haze of cigarette smoke in the light. Afternoon, soft warm daylight from the windows. Nobody in the room. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
cafe-interior-master
cafe-interior-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
The inside of an old Japanese kissaten in the afternoon, seen as a single very wide master plate, shot down the length of the room from the counter end toward the street door. THE ONE THING THIS PLATE EXISTS TO DEFINE IS THE PARTITION. Running down the centre of the room, along almost its entire length, is a back-to-back banquette: one long continuous bench seat on each side of a single shared partition. The partition is a SOLID PANEL OF DARK WOOD -- flat, unbroken, with a simple moulded cap along its top -- and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT, roughly 1.6 metres from the floor, so that a person sitting on one side cannot see the head or shoulders of a person sitting on the other. It reads as an interior wall that happens to have benches attached to it, not as the back of a sofa. It runs unbroken from close to the counter almost to the street door, long enough that from most places in the room you cannot see either end of it. There is no gap in it, no window in it, no opening in it, and it is not a short screen or a low sofa back. On the window side of the partition, small square tables with plain chairs opposite the bench, and a wall of tall windows behind them with net curtains diffusing the afternoon light. On the counter side, the same arrangement of tables, and beyond them a dark wooden counter with siphon coffee brewers and shelves of cups. Aged plaster walls, dark stained woodwork, a coat stand, an old ceiling fan, worn wooden floor, a faint haze of cigarette smoke in the light. Afternoon, soft warm daylight from the windows. Nobody in the room. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
cafe-interior-wide
cafe-interior-wide
4752×2673
refs: cafe-interior-master.jpg
プロンプト
The inside of an old Japanese kissaten in the afternoon, seen as a single very wide master plate, shot down the length of the room from the counter end toward the street door. THE ONE THING THIS PLATE EXISTS TO DEFINE IS THE PARTITION. Running down the centre of the room, along almost its entire length, is a back-to-back banquette: one long continuous bench seat on each side of a single shared partition. The partition is a SOLID PANEL OF DARK WOOD -- flat, unbroken, with a simple moulded cap along its top -- and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT, roughly 1.6 metres from the floor, so that a person sitting on one side cannot see the head or shoulders of a person sitting on the other. It reads as an interior wall that happens to have benches attached to it, not as the back of a sofa. It runs unbroken from close to the counter almost to the street door, long enough that from most places in the room you cannot see either end of it. There is no gap in it, no window in it, no opening in it, and it is not a short screen or a low sofa back. On the window side of the partition, small square tables with plain chairs opposite the bench, and a wall of tall windows behind them with net curtains diffusing the afternoon light. On the counter side, the same arrangement of tables, and beyond them a dark wooden counter with siphon coffee brewers and shelves of cups. Aged plaster walls, dark stained woodwork, a coat stand, an old ceiling fan, worn wooden floor, a faint haze of cigarette smoke in the light. Afternoon, soft warm daylight from the windows. Nobody in the room. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
cafe-interior-window
cafe-interior-window
2534×1425
refs: cafe-interior-master.jpg
プロンプト
The inside of an old Japanese kissaten in the afternoon, seen as a single very wide master plate, shot down the length of the room from the counter end toward the street door. THE ONE THING THIS PLATE EXISTS TO DEFINE IS THE PARTITION. Running down the centre of the room, along almost its entire length, is a back-to-back banquette: one long continuous bench seat on each side of a single shared partition. The partition is a SOLID PANEL OF DARK WOOD -- flat, unbroken, with a simple moulded cap along its top -- and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT, roughly 1.6 metres from the floor, so that a person sitting on one side cannot see the head or shoulders of a person sitting on the other. It reads as an interior wall that happens to have benches attached to it, not as the back of a sofa. It runs unbroken from close to the counter almost to the street door, long enough that from most places in the room you cannot see either end of it. There is no gap in it, no window in it, no opening in it, and it is not a short screen or a low sofa back. On the window side of the partition, small square tables with plain chairs opposite the bench, and a wall of tall windows behind them with net curtains diffusing the afternoon light. On the counter side, the same arrangement of tables, and beyond them a dark wooden counter with siphon coffee brewers and shelves of cups. Aged plaster walls, dark stained woodwork, a coat stand, an old ceiling fan, worn wooden floor, a faint haze of cigarette smoke in the light. Afternoon, soft warm daylight from the windows. Nobody in the room. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

clubroom

clubroom-desk
clubroom-desk
2281×1283
refs: clubroom-master.jpg
プロンプト
A cluttered high-school photography club room in Japan, empty of people, captured as a single very wide master plate that takes in the whole length of the room from one side. The left half is dominated by a long wall covered edge to edge with pinned developed photographs, small and softly out of focus, showing landscapes and indistinct group shots; among them, near the middle of the wall, one clearly different print of an empty sea and horizon. Stacks of magazines with blank untitled covers lean along the base of that wall. The right half holds worktables carrying scattered camera equipment, film canisters, a light box and boxes, with mismatched wooden chairs pulled up to a large central table whose surface is clear apart from loose papers and prints. A run of tall windows fills the far right wall, curtains half drawn, with a drying line of hanging prints strung across in front of them. Low warm west sunlight of a March late afternoon comes through the glass as the only key light, throwing long shadows across the worn linoleum floor and catching dust in the air. Photorealistic cinematic still, ultra wide framing, deep focus so that both the photograph wall and the far windows are legible, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
clubroom-master
clubroom-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
A cluttered high-school photography club room in Japan, empty of people, captured as a single very wide master plate that takes in the whole length of the room from one side. The left half is dominated by a long wall covered edge to edge with pinned developed photographs, small and softly out of focus, showing landscapes and indistinct group shots; among them, near the middle of the wall, one clearly different print of an empty sea and horizon. Stacks of magazines with blank untitled covers lean along the base of that wall. The right half holds worktables carrying scattered camera equipment, film canisters, a light box and boxes, with mismatched wooden chairs pulled up to a large central table whose surface is clear apart from loose papers and prints. A run of tall windows fills the far right wall, curtains half drawn, with a drying line of hanging prints strung across in front of them. Low warm west sunlight of a March late afternoon comes through the glass as the only key light, throwing long shadows across the worn linoleum floor and catching dust in the air. Photorealistic cinematic still, ultra wide framing, deep focus so that both the photograph wall and the far windows are legible, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
clubroom-photo-wall
clubroom-photo-wall
1901×1069
refs: clubroom-master.jpg
プロンプト
A cluttered high-school photography club room in Japan, empty of people, captured as a single very wide master plate that takes in the whole length of the room from one side. The left half is dominated by a long wall covered edge to edge with pinned developed photographs, small and softly out of focus, showing landscapes and indistinct group shots; among them, near the middle of the wall, one clearly different print of an empty sea and horizon. Stacks of magazines with blank untitled covers lean along the base of that wall. The right half holds worktables carrying scattered camera equipment, film canisters, a light box and boxes, with mismatched wooden chairs pulled up to a large central table whose surface is clear apart from loose papers and prints. A run of tall windows fills the far right wall, curtains half drawn, with a drying line of hanging prints strung across in front of them. Low warm west sunlight of a March late afternoon comes through the glass as the only key light, throwing long shadows across the worn linoleum floor and catching dust in the air. Photorealistic cinematic still, ultra wide framing, deep focus so that both the photograph wall and the far windows are legible, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
clubroom-wide
clubroom-wide
4752×2673
refs: clubroom-master.jpg
プロンプト
A cluttered high-school photography club room in Japan, empty of people, captured as a single very wide master plate that takes in the whole length of the room from one side. The left half is dominated by a long wall covered edge to edge with pinned developed photographs, small and softly out of focus, showing landscapes and indistinct group shots; among them, near the middle of the wall, one clearly different print of an empty sea and horizon. Stacks of magazines with blank untitled covers lean along the base of that wall. The right half holds worktables carrying scattered camera equipment, film canisters, a light box and boxes, with mismatched wooden chairs pulled up to a large central table whose surface is clear apart from loose papers and prints. A run of tall windows fills the far right wall, curtains half drawn, with a drying line of hanging prints strung across in front of them. Low warm west sunlight of a March late afternoon comes through the glass as the only key light, throwing long shadows across the worn linoleum floor and catching dust in the air. Photorealistic cinematic still, ultra wide framing, deep focus so that both the photograph wall and the far windows are legible, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
clubroom-window
clubroom-window
2028×1141
refs: clubroom-master.jpg
プロンプト
A cluttered high-school photography club room in Japan, empty of people, captured as a single very wide master plate that takes in the whole length of the room from one side. The left half is dominated by a long wall covered edge to edge with pinned developed photographs, small and softly out of focus, showing landscapes and indistinct group shots; among them, near the middle of the wall, one clearly different print of an empty sea and horizon. Stacks of magazines with blank untitled covers lean along the base of that wall. The right half holds worktables carrying scattered camera equipment, film canisters, a light box and boxes, with mismatched wooden chairs pulled up to a large central table whose surface is clear apart from loose papers and prints. A run of tall windows fills the far right wall, curtains half drawn, with a drying line of hanging prints strung across in front of them. Low warm west sunlight of a March late afternoon comes through the glass as the only key light, throwing long shadows across the worn linoleum floor and catching dust in the air. Photorealistic cinematic still, ultra wide framing, deep focus so that both the photograph wall and the far windows are legible, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

coast-road

coast-road-master
coast-road-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
A two-lane coastal road in Japan on a clear March morning, running along a low sea wall with the open sea and a flat horizon beyond it. Weathered asphalt, faded lane markings, a guardrail, scrubby wind-bent grass on the verge. No traffic and no people. Bright cool morning light off the water, the sky wide and pale. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
coast-road-wide
coast-road-wide
4777×2687
refs: coast-road-master.jpg
プロンプト
A two-lane coastal road in Japan on a clear March morning, running along a low sea wall with the open sea and a flat horizon beyond it. Weathered asphalt, faded lane markings, a guardrail, scrubby wind-bent grass on the verge. No traffic and no people. Bright cool morning light off the water, the sky wide and pale. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

fire-escape

fire-escape-master
fire-escape-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
The exterior steel fire escape of an older Japanese mid-rise building at night, seen from below looking up the flights. Painted steel treads and open risers, a rusting handrail, the flank of the concrete building alongside, an air-conditioning unit and cable runs. Beyond and behind, the out-of-focus lights of the surrounding city. Early summer night, lit only by a dim stairwell lamp and spill from the street below. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
fire-escape-wide
fire-escape-wide
4777×2687
refs: fire-escape-master.jpg
プロンプト
The exterior steel fire escape of an older Japanese mid-rise building at night, seen from below looking up the flights. Painted steel treads and open risers, a rusting handrail, the flank of the concrete building alongside, an air-conditioning unit and cable runs. Beyond and behind, the out-of-focus lights of the surrounding city. Early summer night, lit only by a dim stairwell lamp and spill from the street below. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

fukuoka-night

fukuoka-night-master
fukuoka-night-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
A wide night view over a mid-sized Japanese city, seen from roughly the height of a mid-rise building rather than from a tower, so the lit windows of neighbouring buildings sit close and at eye level rather than far below. Dense low-rise and mid-rise blocks, scattered office windows still lit, red aircraft warning lights, the thin moving strings of car headlights on the avenues, a dark river band crossing the frame. Deep blue night with warm amber and white point lights, many of them thrown out of focus into soft round bokeh so no specific building is legible. Early summer, clear and humid. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
fukuoka-night-wide
fukuoka-night-wide
4777×2687
refs: fukuoka-night-master.jpg
プロンプト
A wide night view over a mid-sized Japanese city, seen from roughly the height of a mid-rise building rather than from a tower, so the lit windows of neighbouring buildings sit close and at eye level rather than far below. Dense low-rise and mid-rise blocks, scattered office windows still lit, red aircraft warning lights, the thin moving strings of car headlights on the avenues, a dark river band crossing the frame. Deep blue night with warm amber and white point lights, many of them thrown out of focus into soft round bokeh so no specific building is legible. Early summer, clear and humid. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

jp-kissaten

jp-kissaten-master
jp-kissaten-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
The interior of an old-fashioned Japanese kissaten coffee shop at night, empty of people, seen very wide. Dark wood panelling, a long counter with a row of stools and a siphon coffee setup behind it, deep red-brown upholstered booth seats, small tables with paper coasters, a wall of shelved cups. Frosted glass and heavy curtains at the street window with the night outside. Low warm tungsten light, pools of amber on the wood, everything slightly smoke-aged. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
jp-kissaten-wide
jp-kissaten-wide
4777×2687
refs: jp-kissaten-master.jpg
プロンプト
The interior of an old-fashioned Japanese kissaten coffee shop at night, empty of people, seen very wide. Dark wood panelling, a long counter with a row of stools and a siphon coffee setup behind it, deep red-brown upholstered booth seats, small tables with paper coasters, a wall of shelved cups. Frosted glass and heavy curtains at the street window with the night outside. Low warm tungsten light, pools of amber on the wood, everything slightly smoke-aged. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

k-apartment

k-apartment-desk
k-apartment-desk
1837×1033
refs: k-apartment-master.jpg
プロンプト
A young woman's small studio apartment in an older American building, daytime, seen as a single very wide master plate. A tall sash window with a deep sill and a fire-escape rail visible through it, dusty white-painted walls, a stripped wood floor. Along one wall a plain desk with a laptop, a stack of books and a ceramic mug; a narrow bed with a pale blanket; a small kitchen corner with a low refrigerator, a kettle and open shelving. Sparse, recently moved into, a few unpacked boxes. Dry bright afternoon sun coming hard through the window, bleaching the sill and throwing sharp-edged rectangles across the floor. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
k-apartment-kitchen
k-apartment-kitchen
1711×962
refs: k-apartment-master.jpg
プロンプト
A young woman's small studio apartment in an older American building, daytime, seen as a single very wide master plate. A tall sash window with a deep sill and a fire-escape rail visible through it, dusty white-painted walls, a stripped wood floor. Along one wall a plain desk with a laptop, a stack of books and a ceramic mug; a narrow bed with a pale blanket; a small kitchen corner with a low refrigerator, a kettle and open shelving. Sparse, recently moved into, a few unpacked boxes. Dry bright afternoon sun coming hard through the window, bleaching the sill and throwing sharp-edged rectangles across the floor. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
k-apartment-master
k-apartment-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
A young woman's small studio apartment in an older American building, daytime, seen as a single very wide master plate. A tall sash window with a deep sill and a fire-escape rail visible through it, dusty white-painted walls, a stripped wood floor. Along one wall a plain desk with a laptop, a stack of books and a ceramic mug; a narrow bed with a pale blanket; a small kitchen corner with a low refrigerator, a kettle and open shelving. Sparse, recently moved into, a few unpacked boxes. Dry bright afternoon sun coming hard through the window, bleaching the sill and throwing sharp-edged rectangles across the floor. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
k-apartment-wide
k-apartment-wide
4777×2687
refs: k-apartment-master.jpg
プロンプト
A young woman's small studio apartment in an older American building, daytime, seen as a single very wide master plate. A tall sash window with a deep sill and a fire-escape rail visible through it, dusty white-painted walls, a stripped wood floor. Along one wall a plain desk with a laptop, a stack of books and a ceramic mug; a narrow bed with a pale blanket; a small kitchen corner with a low refrigerator, a kettle and open shelving. Sparse, recently moved into, a few unpacked boxes. Dry bright afternoon sun coming hard through the window, bleaching the sill and throwing sharp-edged rectangles across the floor. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
k-apartment-window
k-apartment-window
2408×1354
refs: k-apartment-master.jpg
プロンプト
A young woman's small studio apartment in an older American building, daytime, seen as a single very wide master plate. A tall sash window with a deep sill and a fire-escape rail visible through it, dusty white-painted walls, a stripped wood floor. Along one wall a plain desk with a laptop, a stack of books and a ceramic mug; a narrow bed with a pale blanket; a small kitchen corner with a low refrigerator, a kettle and open shelving. Sparse, recently moved into, a few unpacked boxes. Dry bright afternoon sun coming hard through the window, bleaching the sill and throwing sharp-edged rectangles across the floor. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

k-fire-escape

k-fire-escape-master
k-fire-escape-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
The exterior iron fire escape of an older American brick apartment building, late afternoon. Riveted black-painted ironwork, an open-grid landing wide enough to sit on, a steep flight of steps below, the red brick wall and tall sash windows alongside. Across the way, the facades of similar buildings and a slice of sky. Dry warm low sun, long shadows through the grating, dusty air. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
k-fire-escape-wide
k-fire-escape-wide
4777×2687
refs: k-fire-escape-master.jpg
プロンプト
The exterior iron fire escape of an older American brick apartment building, late afternoon. Riveted black-painted ironwork, an open-grid landing wide enough to sit on, a steep flight of steps below, the red brick wall and tall sash windows alongside. Across the way, the facades of similar buildings and a slice of sky. Dry warm low sun, long shadows through the grating, dusty air. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

residential-morning

residential-morning-master
residential-morning-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
A quiet Japanese suburban residential street early on a March morning, empty of people and cars. Low two-storey houses with tiled roofs and small walled gardens line both sides; utility poles and overhead cables run down the street; a vending machine glows faintly at a corner. Bare and just-budding trees. The early sun is low and clear, throwing long soft shadows across the asphalt, the air still cold enough to read as winter's end. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
residential-morning-wide
residential-morning-wide
4777×2687
refs: residential-morning-master.jpg
プロンプト
A quiet Japanese suburban residential street early on a March morning, empty of people and cars. Low two-storey houses with tiled roofs and small walled gardens line both sides; utility poles and overhead cables run down the street; a vending machine glows faintly at a corner. Bare and just-budding trees. The early sun is low and clear, throwing long soft shadows across the asphalt, the air still cold enough to read as winter's end. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

rooftop

rooftop-bench
rooftop-bench
3295×1853
refs: rooftop-master.jpg
プロンプト
The rooftop of a mid-rise Japanese building at night, seen as a single very wide master plate. A flat waterproofed deck with a low parapet running along the front edge, a steel handrail on top of it, a boxy stair-house with a heavy steel door at one side, a water tank on legs and vent stacks at the other, puddles and cable trays underfoot. Standing on the open deck, set back three or four paces from the parapet and facing out toward the city, is a PLAIN WEATHERED BENCH: a simple slatted wooden seat on a painted steel frame, low, with no backrest, long enough for two people to sit side by side with a gap between them. It is clearly separate from the parapet and not attached to it -- there is walkable deck both in front of it and behind it. It sits in the open middle of the deck, unobstructed, so that anyone sitting on it has the handrail and the city in front of them and the stair-house behind them. It is weathered and ordinary, the kind of bench a building's maintenance staff would have left there, not new and not decorative. Past the parapet, the lights of surrounding buildings of similar height sit close and near eye level, so the city reads as beside rather than below. Early summer night, humid, warm amber and white point lights softened into bokeh, deep blue sky above with no visible stars. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
rooftop-door
rooftop-door
2154×1212
refs: rooftop-master.jpg
プロンプト
The rooftop of a mid-rise Japanese building at night, seen as a single very wide master plate. A flat waterproofed deck with a low parapet running along the front edge, a steel handrail on top of it, a boxy stair-house with a heavy steel door at one side, a water tank on legs and vent stacks at the other, puddles and cable trays underfoot. Standing on the open deck, set back three or four paces from the parapet and facing out toward the city, is a PLAIN WEATHERED BENCH: a simple slatted wooden seat on a painted steel frame, low, with no backrest, long enough for two people to sit side by side with a gap between them. It is clearly separate from the parapet and not attached to it -- there is walkable deck both in front of it and behind it. It sits in the open middle of the deck, unobstructed, so that anyone sitting on it has the handrail and the city in front of them and the stair-house behind them. It is weathered and ordinary, the kind of bench a building's maintenance staff would have left there, not new and not decorative. Past the parapet, the lights of surrounding buildings of similar height sit close and near eye level, so the city reads as beside rather than below. Early summer night, humid, warm amber and white point lights softened into bokeh, deep blue sky above with no visible stars. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
rooftop-master
rooftop-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
The rooftop of a mid-rise Japanese building at night, seen as a single very wide master plate. A flat waterproofed deck with a low parapet running along the front edge, a steel handrail on top of it, a boxy stair-house with a heavy steel door at one side, a water tank on legs and vent stacks at the other, puddles and cable trays underfoot. Standing on the open deck, set back three or four paces from the parapet and facing out toward the city, is a PLAIN WEATHERED BENCH: a simple slatted wooden seat on a painted steel frame, low, with no backrest, long enough for two people to sit side by side with a gap between them. It is clearly separate from the parapet and not attached to it -- there is walkable deck both in front of it and behind it. It sits in the open middle of the deck, unobstructed, so that anyone sitting on it has the handrail and the city in front of them and the stair-house behind them. It is weathered and ordinary, the kind of bench a building's maintenance staff would have left there, not new and not decorative. Past the parapet, the lights of surrounding buildings of similar height sit close and near eye level, so the city reads as beside rather than below. Early summer night, humid, warm amber and white point lights softened into bokeh, deep blue sky above with no visible stars. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
rooftop-railing
rooftop-railing
2091×1176
refs: rooftop-master.jpg
プロンプト
The rooftop of a mid-rise Japanese building at night, seen as a single very wide master plate. A flat waterproofed deck with a low parapet running along the front edge, a steel handrail on top of it, a boxy stair-house with a heavy steel door at one side, a water tank on legs and vent stacks at the other, puddles and cable trays underfoot. Standing on the open deck, set back three or four paces from the parapet and facing out toward the city, is a PLAIN WEATHERED BENCH: a simple slatted wooden seat on a painted steel frame, low, with no backrest, long enough for two people to sit side by side with a gap between them. It is clearly separate from the parapet and not attached to it -- there is walkable deck both in front of it and behind it. It sits in the open middle of the deck, unobstructed, so that anyone sitting on it has the handrail and the city in front of them and the stair-house behind them. It is weathered and ordinary, the kind of bench a building's maintenance staff would have left there, not new and not decorative. Past the parapet, the lights of surrounding buildings of similar height sit close and near eye level, so the city reads as beside rather than below. Early summer night, humid, warm amber and white point lights softened into bokeh, deep blue sky above with no visible stars. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
rooftop-sky
rooftop-sky
3168×1782
refs: rooftop-master.jpg
プロンプト
The rooftop of a mid-rise Japanese building at night, seen as a single very wide master plate. A flat waterproofed deck with a low parapet running along the front edge, a steel handrail on top of it, a boxy stair-house with a heavy steel door at one side, a water tank on legs and vent stacks at the other, puddles and cable trays underfoot. Standing on the open deck, set back three or four paces from the parapet and facing out toward the city, is a PLAIN WEATHERED BENCH: a simple slatted wooden seat on a painted steel frame, low, with no backrest, long enough for two people to sit side by side with a gap between them. It is clearly separate from the parapet and not attached to it -- there is walkable deck both in front of it and behind it. It sits in the open middle of the deck, unobstructed, so that anyone sitting on it has the handrail and the city in front of them and the stair-house behind them. It is weathered and ordinary, the kind of bench a building's maintenance staff would have left there, not new and not decorative. Past the parapet, the lights of surrounding buildings of similar height sit close and near eye level, so the city reads as beside rather than below. Early summer night, humid, warm amber and white point lights softened into bokeh, deep blue sky above with no visible stars. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.
rooftop-wide
rooftop-wide
4777×2687
refs: rooftop-master.jpg
プロンプト
The rooftop of a mid-rise Japanese building at night, seen as a single very wide master plate. A flat waterproofed deck with a low parapet running along the front edge, a steel handrail on top of it, a boxy stair-house with a heavy steel door at one side, a water tank on legs and vent stacks at the other, puddles and cable trays underfoot. Standing on the open deck, set back three or four paces from the parapet and facing out toward the city, is a PLAIN WEATHERED BENCH: a simple slatted wooden seat on a painted steel frame, low, with no backrest, long enough for two people to sit side by side with a gap between them. It is clearly separate from the parapet and not attached to it -- there is walkable deck both in front of it and behind it. It sits in the open middle of the deck, unobstructed, so that anyone sitting on it has the handrail and the city in front of them and the stair-house behind them. It is weathered and ordinary, the kind of bench a building's maintenance staff would have left there, not new and not decorative. Past the parapet, the lights of surrounding buildings of similar height sit close and near eye level, so the city reads as beside rather than below. Early summer night, humid, warm amber and white point lights softened into bokeh, deep blue sky above with no visible stars. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos, no readable text or lettering anywhere, no watermark.

school-exterior

school-exterior-alt
school-exterior-alt
2752×1536
gemini-3-pro-image16:92Kstudio
refs: school-exterior-base.jpg
プロンプト
Using the provided reference images of the same school building, generate a slightly tighter alternate angle of the same building from further along the fence, showing the entrance and a corner of the schoolyard. Keep the architecture, materials, window pattern, season, light direction and colour grading exactly consistent with the reference image. Photorealistic cinematic still, 16:9, muted film-like color grading, low warm west sunlight of a March late afternoon as the only key light. Empty of people. No brand logos, no readable text or lettering anywhere, no watermark.
school-exterior-base
school-exterior-base
2752×1536
gemini-3-pro-image16:92Kstudio
プロンプト
The exterior of an ordinary Japanese public high school on a late afternoon in March, seen in a wide locked-off long shot. A plain concrete-and-tile school building of three storeys with rows of identical windows, a bare schoolyard in front, leafless trees along the fence. The low west sun stains the wall warm amber and throws the building's shadow long across the ground. Empty of people. Photorealistic cinematic still, 16:9, muted film-like color grading, low warm west sunlight of a March late afternoon as the only key light. Empty of people. No brand logos, no readable text or lettering anywhere, no watermark.

us-convenience

us-convenience-counter
us-convenience-counter
1964×1105
refs: us-convenience-master.jpg
プロンプト
The interior of an American convenience store, daytime, empty of people, seen very wide. A checkout counter in the foreground with a blank-screened register, aisles of shelving behind it, and a long wall of glass-doored refrigerated cabinets. Vinyl floor, fluorescent ceiling panels, a window to a sunlit parking lot. Flat bright even fluorescent light mixed with hard daylight from the window, colours dry and slightly bleached. The shelves are densely and untidily stocked the way a real store is, and the products differ in shape from one another: crinkled foil snack bags standing in rows and sagging against each other, stacked cylindrical cans, clear glass jars with metal lids, cup-noodle tubs, chocolate bars lying flat in shallow trays, tall thin cartons, squat plastic bottles, blister packs on hooks. Not a single uniform rectangular box repeated across a shelf. The refrigerated cabinets hold bottles and cans of many different heights and silhouettes. Every label is a real printed label -- a field of saturated colour carrying simple abstract shapes, stripes and bands -- never a blank or empty surface, and never any letters, numerals, barcodes or symbols that could be read as writing. The variety of colour and form is what makes the store look stocked; nothing on any package is legible. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos and no lettering of any kind anywhere in the frame, including on the counter, the fixtures, the register and any signage.
us-convenience-master
us-convenience-master
6336×2688
gemini-3-pro-image21:94Kstudio
プロンプト
The interior of an American convenience store, daytime, empty of people, seen very wide. A checkout counter in the foreground with a blank-screened register, aisles of shelving behind it, and a long wall of glass-doored refrigerated cabinets. Vinyl floor, fluorescent ceiling panels, a window to a sunlit parking lot. Flat bright even fluorescent light mixed with hard daylight from the window, colours dry and slightly bleached. The shelves are densely and untidily stocked the way a real store is, and the products differ in shape from one another: crinkled foil snack bags standing in rows and sagging against each other, stacked cylindrical cans, clear glass jars with metal lids, cup-noodle tubs, chocolate bars lying flat in shallow trays, tall thin cartons, squat plastic bottles, blister packs on hooks. Not a single uniform rectangular box repeated across a shelf. The refrigerated cabinets hold bottles and cans of many different heights and silhouettes. Every label is a real printed label -- a field of saturated colour carrying simple abstract shapes, stripes and bands -- never a blank or empty surface, and never any letters, numerals, barcodes or symbols that could be read as writing. The variety of colour and form is what makes the store look stocked; nothing on any package is legible. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos and no lettering of any kind anywhere in the frame, including on the counter, the fixtures, the register and any signage.
us-convenience-wide
us-convenience-wide
4777×2687
refs: us-convenience-master.jpg
プロンプト
The interior of an American convenience store, daytime, empty of people, seen very wide. A checkout counter in the foreground with a blank-screened register, aisles of shelving behind it, and a long wall of glass-doored refrigerated cabinets. Vinyl floor, fluorescent ceiling panels, a window to a sunlit parking lot. Flat bright even fluorescent light mixed with hard daylight from the window, colours dry and slightly bleached. The shelves are densely and untidily stocked the way a real store is, and the products differ in shape from one another: crinkled foil snack bags standing in rows and sagging against each other, stacked cylindrical cans, clear glass jars with metal lids, cup-noodle tubs, chocolate bars lying flat in shallow trays, tall thin cartons, squat plastic bottles, blister packs on hooks. Not a single uniform rectangular box repeated across a shelf. The refrigerated cabinets hold bottles and cans of many different heights and silhouettes. Every label is a real printed label -- a field of saturated colour carrying simple abstract shapes, stripes and bands -- never a blank or empty surface, and never any letters, numerals, barcodes or symbols that could be read as writing. The variety of colour and form is what makes the store look stocked; nothing on any package is legible. Photorealistic cinematic still, ultra wide master plate, deep focus, muted film-like color grading. No people. No brand logos and no lettering of any kind anywhere in the frame, including on the counter, the fixtures, the register and any signage.

小道具

無地背景のプロダクトプレート。カット生成時に合成する前提。銘柄・ラベルはすべて架空で、文字とロゴを含めていない。

ashtray
ashtray
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A heavy pressed-glass ashtray of the kind found in old coffee shops, round with four notched rests, slightly cloudy from years of washing, a little grey ash and one spent match in the well. Completely unmarked. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
cafe-menu
cafe-menu
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A single-page menu in a worn dark leatherette folder lying closed on a table, the cover plain and unmarked with no lettering. Aged, softened corners, a faint ring stain on the cover. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
canned-coffee
canned-coffee
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A short stout Japanese-style canned coffee, about 190g, of the kind sold in vending machines and convenience stores in Japan. Brushed aluminium top and base, the pull tab closed, a little condensation on the metal. The body of the can is DOMINATED by a deep dark roasted-coffee brown -- almost the whole can is that dark brown, with only a narrow cream band across the upper third. It must read instantly as coffee and never as a juice or a soft drink. On the cream band, in dark brown clean sans-serif capitals, is the brand name "KOHAKU". Directly below the band, on the dark brown and in cream capitals, is the word "COFFEE", set almost as large as the brand name. Below that, much smaller and in cream, "BLACK 190g". A single hairline gold rule runs around the can just under the cream band. The lettering is crisp and correctly spelled. No script, no emblem, no crest, no illustration of beans or cups. The brand is entirely fictional and unrelated to any real product. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no other logos, no barcode, no watermark.
car-exterior
car-exterior
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A small older Japanese hatchback car from the late 1990s in faded pale blue, photographed in three-quarter front view, parked. Slightly dulled paint, a small dent in one door, plain steel wheels with hubcaps. The number plate is blank white, and there is no maker badge, model name or lettering anywhere on the body. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
car-interior
car-interior
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
The interior of a small older Japanese hatchback seen from the back seat looking forward: two fabric front seats, a plain dashboard with round analogue dials, a manual gear lever, a worn steering wheel, a cluttered dashboard shelf, the windscreen showing bright blown-out daylight. Every dial face and button is blank and unlabelled, and there is no maker badge on the steering wheel. No people. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
chuhai-can
chuhai-can
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A tall slim Japanese canned chu-hi, about 350ml, cold and beaded with condensation, tab closed, standing upright. The can body is a soft matte sage grey-green. Running diagonally across it, from lower left up to upper right, is a wide citrus-yellow sash. Set on that sash in dark ink, in bold condensed sans-serif capitals on two lines, is the brand name: "PUNCHING" on the upper line and "ZERO" directly below it, both following the angle of the sash. Small and separate, in dark ink on the sage body below the sash, "9%" and "350ml". The lettering is crisp and correctly spelled. Deliberately NOT a silver or white can, NOT blue, and carrying no large numerals -- the layout is a diagonal sash, never a horizontal band. No fruit illustration, no droplets graphic, no emblem. The brand is entirely fictional and unrelated to any real product. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no other logos, no barcode, no watermark.
cigarette-pack-a
cigarette-pack-a
2048×2048
gemini-3-pro-image1:12Kstudio
refs: cigarette-pack-a.jpg
プロンプト
Using the provided reference image, generate the same soft-pack of cigarettes standing closed, keeping its matte off-white card, its single wide dark navy band across the lower third, and its corners worn from a pocket -- the shape, colours and proportions must match the reference exactly. Two changes from the reference. First, the brand name "HARBOR" sits on the navy band in cream capitals in a restrained serif typeface, upright and level, set LARGE -- the lettering spans most of the width of the band and is the most legible thing on the pack. Second, the small mark above the band is NOT a square: replace it with an outlined circle crossed by one straight horizontal line through its middle, like a horizon seen through a porthole, drawn in the same dark navy as a thin outline. There is no square anywhere on this pack. Nothing else is added -- no numerals, no barcode, no health warning, no crest, no second line of text. The lettering is crisp and correctly spelled. The brand is entirely fictional. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no other logos, no barcode, no watermark.
cigarette-pack-k
cigarette-pack-k
2048×2048
gemini-3-pro-image1:12Kstudio
refs: cigarette-pack-k.jpg
プロンプト
Using the provided reference image, generate the same hard-box pack of cigarettes standing closed, keeping its deep oxblood burgundy matte finish, its thin warm-grey line near the top, its square corners and hinged lid -- the shape, colours and proportions must match the reference exactly. Two changes from the reference. First, the brand name "CRANE" sits just below the thin grey line in warm-grey capitals in a restrained serif typeface, upright and level, set LARGE -- the lettering spans most of the width of the box face and is the most legible thing on the pack, clearly readable from across a table. Second, the small mark below the name is NOT a square: replace it with a single clean upward chevron, an open V pointing up like a bird's wings in flight, drawn in the same warm grey as a thin outline. There is no square anywhere on this pack. Nothing else is added -- no numerals, no barcode, no health warning, no crest, no second line of text. The lettering is crisp and correctly spelled. The brand is entirely fictional. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no other logos, no barcode, no watermark.
coffee-cup
coffee-cup
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A thick white ceramic coffee cup on a matching saucer, of the plain heavy kind used in old Japanese coffee shops, filled with black coffee, a slight crazing in the glaze and one small chip on the saucer rim. A teaspoon rests on the saucer. Completely unmarked. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
cola-bottle
cola-bottle
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A chilled returnable glass cola bottle, roughly 300ml, with STRAIGHT PARALLEL SIDES and a short simple shoulder tapering to the neck -- an ordinary plain cylindrical bottle of the kind used by small regional bottlers, with no waist, no hourglass curve and no vertical fluting anywhere on the glass. Beaded with condensation and half drunk so the dark liquid sits below the shoulder. A deep red paper label band wraps the middle. Across the band runs one straight horizontal cream-coloured bar, and sitting on that bar in dark red is the brand name "NAGI COLA" set in bold condensed sans-serif capitals, upright and level -- never a script, never italic, never a swash or a curved ribbon or a wave. The lettering is crisp and correctly spelled. Below it, much smaller, the words "300ml" in the same sans-serif. The brand is entirely fictional. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no other logos, no barcode, no watermark.
cola-can
cola-can
2048×2048
gemini-3-pro-image1:12Kstudio
refs: cola-bottle.jpg
プロンプト
Using the provided reference image of the same fictional cola brand, generate the same drink in an aluminium can instead of a glass bottle. A standard 350ml can, chilled and beaded with condensation, tab closed, standing upright. The can is deep red. Across its middle runs one straight horizontal cream-coloured bar carrying the brand name "NAGI COLA" in dark red bold condensed sans-serif capitals, upright and level, exactly matching the reference label's colours, typeface and layout so the two read as the same product. Below it, much smaller, "350ml" in the same sans-serif. Never a script, never a curved ribbon or wave. The lettering is crisp and correctly spelled. The brand is entirely fictional. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no other logos, no barcode, no watermark.
cola-pet
cola-pet
2048×2048
gemini-3-pro-image1:12Kstudio
refs: cola-bottle.jpg
プロンプト
Using the provided reference image of the same fictional cola brand, generate the same drink in a PET plastic bottle instead of a glass one. A clear 500ml PET bottle with the usual moulded ribbing and a red screw cap, filled with dark cola, condensation on the plastic. It carries the same deep red label band wrapped around its middle, with one straight horizontal cream bar carrying the brand name "NAGI COLA" in dark red bold condensed sans-serif capitals, upright and level, exactly matching the reference label's colours, typeface and layout. Below it, much smaller, "500ml" in the same sans-serif. Never a script, never a curved ribbon or wave. The lettering is crisp and correctly spelled. The brand is entirely fictional. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no other logos, no barcode, no watermark.
lighter
lighter
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A cheap disposable plastic lighter in translucent smoke grey, lying on its side, the fuel level visible through the body, a slightly scratched metal hood. Completely unmarked with no lettering or logo. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
message-draft-screen
message-draft-screen
1536×2752
gemini-3-pro-image9:162Kstudio
プロンプト
A smartphone messaging screen filling the frame, showing an invented chat app that is clearly not any real service. A plain conversation view with a few older grey received bubbles scrolled up and out of focus at the top, and at the bottom an input field holding an unsent half-typed Japanese message with the text cursor still in it. The send button is dimmed. Plain flat interface, no service name, no logo, no avatars. Crisp screen-capture look, straight on, no reflections, no hands.
print-stack
print-stack
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A loose stack of about twenty developed colour photographic prints on a table, slightly fanned so several are partly visible. The visible images are landscapes, sea and sky, and out-of-focus indistinct figures -- nothing legible, no faces in focus. Slightly curled edges, one print with a thumb crease. Warm afternoon light across them. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
ring-a
ring-a
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A man's plain wedding band in brushed silver-toned metal, a simple flat profile with softened edges and no stone, no engraving and no hallmark, resting on a neutral surface and photographed close. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
ring-k
ring-k
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A woman's slender wedding band in warm yellow gold, a fine rounded profile with no stone, no engraving and no hallmark, resting on a neutral surface and photographed close. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
slr-camera
slr-camera
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A well-used 35mm film SLR camera in black and chrome with a fixed 50mm lens, a worn leather neck strap coiled beside it, brassing on the edges from years of handling. The front plate and lens barrel are completely plain: no maker name, no model number, no engraved markings of any kind. Every dial and ring is unlabelled. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
smartphone
smartphone
2048×2048
gemini-3-pro-image1:12Kstudio
プロンプト
A modern smartphone lying face up on a plain surface with its screen off, a black glass slab with slim uniform bezels and a plain dark metal frame. No maker logo, no lettering, no visible ports marked. Photorealistic cinematic product still on a plain neutral mid-grey seamless background, soft even studio light with a gentle falloff, muted film-like colour grading, shallow but sufficient depth of field so the whole object is legible. The object is centred and fills most of the frame. No people, no hands, no watermark.
sns-post-screen
sns-post-screen
1536×2752
gemini-3-pro-image9:162Kstudio
プロンプト
A smartphone screen filling the frame, showing an invented social media app that is clearly not any real service: a plain white feed on a soft off-white background, a circular grey placeholder avatar, and a single short post in Japanese reading exactly 「修了式、出るか迷うな」. Below it, small outline icons for reply, repost and like with no numbers. Simple flat interface, generous whitespace, a thin top bar with no service name. The invented app has no logo and no brand name anywhere. Crisp screen-capture look, straight on, no reflections, no hands.
sns-reply-screen
sns-reply-screen
1536×2752
gemini-3-pro-image9:162Kstudio
プロンプト
The same invented social media screen as before, now showing the original Japanese post 「修了式、出るか迷うな」 with one reply threaded beneath it, from a different circular grey placeholder avatar, reading exactly 「海行こう」. Same plain white flat interface, same thin top bar with no service name, no logo, no brand name. Crisp screen-capture look, straight on, no reflections, no hands.

人物 — 脇役

箱5にだけ出る A の友人・K の友人・店員。当初はモブ扱いの予定だったが、C13 が K の友人の顔をミディアムで捉える本編最後の台詞のカットであり、参照なしでは顔がカットごとに変わるため顔を固定した。配色は A・K のライトグレー×黒から意図的に外している。

character-support

friend-a-back
friend-a-back
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: friend-a-cast.jpg
プロンプト
The character is A's friend: a Japanese man in his early thirties with short side-parted hair, a broader heavier build and a mild round face, wearing a muted navy button-down shirt open over a dark tee, warm brown chino trousers and brown leather shoes. Keep his face, hair, build and outfit exactly consistent with the reference image. No ring on either hand. Full-body standing portrait seen from directly behind, entire figure visible from head to shoes, showing the back of his head and shoulders and the back of his shirt. His face is not visible. Photorealistic cinematic still, soft even studio light, muted film-like colour grading. The background is a completely plain, empty, seamless neutral light-grey studio backdrop -- no room, no window, no furniture, no floorboards, no objects of any kind behind or around the figure. No props, no text, no logos, no watermark.
friend-a-cast
friend-a-cast
1792×2400
gemini-3.1-flash-image3:42Kstudio
プロンプト
A Japanese man in his early thirties (around 30-35), an ordinary friendly person, not a model. Full-body standing portrait facing the camera, entire figure visible from head to shoes. Short hair with a side parting, a slightly heavier and broader build than average, mild round face, relaxed good-natured expression. Outfit: a muted navy button-down shirt worn open over a dark tee, warm brown chino trousers, brown leather shoes. Deliberately outside a grey-and-black palette. No ring on either hand. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
friend-a-front
friend-a-front
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: friend-a-cast.jpg
プロンプト
The character is A's friend: a Japanese man in his early thirties with short side-parted hair, a broader heavier build and a mild round face, wearing a muted navy button-down shirt open over a dark tee, warm brown chino trousers and brown leather shoes. Keep his face, hair, build and outfit exactly consistent with the reference image. No ring on either hand. Full-body standing portrait facing the camera, entire figure visible from head to shoes, relaxed good-natured expression. Photorealistic cinematic still, soft even studio light, muted film-like colour grading. The background is a completely plain, empty, seamless neutral light-grey studio backdrop -- no room, no window, no furniture, no floorboards, no objects of any kind behind or around the figure. No props, no text, no logos, no watermark.
friend-k-back
friend-k-back
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: friend-k-cast.jpg
プロンプト
The character is K's friend: a Japanese woman in her early thirties with long hair gathered loosely at the back of her head, an average build and a warm rounded face, wearing a deep olive-green collared blouse and wide beige trousers with plain low tan shoes and small stud earrings. Keep her face, hair, build and outfit exactly consistent with the reference image. No ring on either hand. Full-body standing portrait seen from directly behind, entire figure visible from head to shoes, showing the back of her gathered hair and the back of her blouse. Her face is not visible. Photorealistic cinematic still, soft even studio light, muted film-like colour grading. The background is a completely plain, empty, seamless neutral light-grey studio backdrop -- no room, no window, no furniture, no floorboards, no objects of any kind behind or around the figure. No props, no text, no logos, no watermark.
friend-k-cast
friend-k-cast
1792×2400
gemini-3.1-flash-image3:42Kstudio
プロンプト
A Japanese woman in her early thirties (around 30-35), an ordinary friendly person, not a model. Full-body standing portrait facing the camera, entire figure visible from head to shoes. Long hair gathered loosely at the back of her head, with a few strands left down -- clearly NOT a bob. Average build, a little rounder in the face than slender. Warm, easy, slightly mischievous everyday expression. Outfit: a deep olive-green blouse with a soft collar, wide beige trousers, plain low tan shoes, small stud earrings. Deliberately outside a grey-and-black palette. No ring on either hand, no necklace. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
friend-k-expr-surprised
friend-k-expr-surprised
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: friend-k-cast.jpg
プロンプト
The character is K's friend: a Japanese woman in her early thirties with long hair gathered loosely at the back of her head, an average build and a warm rounded face, wearing a deep olive-green collared blouse and wide beige trousers with plain low tan shoes and small stud earrings. Keep her face, hair, build and outfit exactly consistent with the reference image. No ring on either hand. Bust-up portrait facing the camera, caught mid-question with eyebrows raised and a teasing, genuinely surprised half-smile -- amused, never unkind. Photorealistic cinematic still, soft even studio light, muted film-like colour grading. The background is a completely plain, empty, seamless neutral light-grey studio backdrop -- no room, no window, no furniture, no floorboards, no objects of any kind behind or around the figure. No props, no text, no logos, no watermark.
friend-k-front
friend-k-front
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: friend-k-cast.jpg
プロンプト
The character is K's friend: a Japanese woman in her early thirties with long hair gathered loosely at the back of her head, an average build and a warm rounded face, wearing a deep olive-green collared blouse and wide beige trousers with plain low tan shoes and small stud earrings. Keep her face, hair, build and outfit exactly consistent with the reference image. No ring on either hand. Full-body standing portrait facing the camera, entire figure visible from head to shoes, neutral relaxed expression. Photorealistic cinematic still, soft even studio light, muted film-like colour grading. The background is a completely plain, empty, seamless neutral light-grey studio backdrop -- no room, no window, no furniture, no floorboards, no objects of any kind behind or around the figure. No props, no text, no logos, no watermark.
server-cast
server-cast
1792×2400
gemini-3.1-flash-image3:42Kstudio
プロンプト
A Japanese man in his sixties, the quiet long-serving master of an old coffee shop. Full-body standing portrait facing the camera, entire figure visible from head to shoes. Close-cropped grey hair, deep lines at the eyes, a reserved unsmiling but not unkind expression. Slight stoop from decades of standing. Outfit: a plain white long-sleeve shirt with the sleeves rolled to the forearm, a long black waist apron over dark trousers, dark plain shoes. He holds nothing. Photorealistic cinematic still, soft warm window light, muted film-like color grading, plain neutral light-grey background. No props, no text, no logos, no watermark.
server-front
server-front
1792×2400
gemini-3.1-flash-image3:42Kstudio
refs: server-cast.jpg
プロンプト
The character is the master of an old coffee shop: a Japanese man in his sixties with close-cropped grey hair, deep lines at the eyes and a reserved unsmiling but not unkind face, wearing a plain white long-sleeve shirt with the sleeves rolled to the forearm, a long black waist apron over dark trousers and dark plain shoes. Keep his face, hair, build and outfit exactly consistent with the reference image. Full-body standing portrait facing the camera, hands empty at his sides. Photorealistic cinematic still, soft even studio light, muted film-like colour grading. The background is a completely plain, empty, seamless neutral light-grey studio backdrop -- no room, no window, no furniture, no floorboards, no objects of any kind behind or around the figure. No props, no text, no logos, no watermark.

静止画素材

劇中写真(A が撮った K の写真。箱をまたいで再利用される)と、箱4 C14 の同ポジションの空4種。

photo-beach-k
photo-beach-k
2528×1696
gemini-3-pro-image3:22Kstudio
refs: k-hs-casual-front.jpg, k-hs-expr-laugh.png
プロンプト
Using the provided reference images of the same single character, generate a photograph that looks as though it were taken on a film SLR by a classmate on a deserted beach in March. The subject is 'K', a Japanese girl of eighteen in everyday clothes -- an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, plain black canvas sneakers. She is NOT in school uniform: no blazer, no necktie, no sailor collar, no ribbon. She stands at the tide line, half turned back toward the camera, hair lifted by the wind, and has swung a long thin weather-bleached piece of driftwood up in both hands and levelled it straight at the lens like a play sword. She is laughing -- open, unguarded, childish, teasing rather than shy. Full figure with plenty of grey sea and pale sky around her, horizon high in the frame. Keep the face and hairstyle exactly consistent with the reference images. It should read as a real amateur photograph rather than a film still: slight grain, a faintly soft focus, cool overcast colour with a warm cast in the highlights, a little vignetting. Photorealistic. No text, no date stamp, no logos, no watermark.
photo-night-k
photo-night-k
2528×1696
gemini-3-pro-image3:22Kstudio
refs: k-20-option4.png, k-20-expr-laugh.png, rooftop-bench.jpg
プロンプト
Using the provided reference images of the same single character, generate a photograph that looks as though it were taken on a film SLR at night on a building rooftop. The subject is 'K', a Japanese woman of twenty in relaxed loungewear -- a faded slightly oversized plain off-white t-shirt and loose grey sweat shorts -- sitting on a low weathered wooden rooftop bench, turned toward the camera with an unguarded half-smile, holding a tall slim can of chu-hi in one hand: a sage grey-green can with a diagonal citrus-yellow sash. Waist-up framing, the out-of-focus lights of the city dissolving into round bokeh behind her. Keep the face and hairstyle exactly consistent with the reference images. It should read as a real amateur night photograph rather than a film still: visible grain, a slightly slow shutter so the lights bloom a little, warm amber highlights against deep blue, imperfect focus. Photorealistic. No text, no date stamp, no logos, no watermark.
sky-1-spring
sky-1-spring
2752×1536
gemini-3-pro-image16:92Kstudio
プロンプト
A locked-off view of the sky over a Japanese city, framed from a low balcony so that only a thin band of rooftops, utility poles and overhead cables runs along the very bottom of the frame and the rest is open sky. The composition is plain and static, built to be one of a set of four shots that differ only in season and weather. Spring. A soft blue sky with high thin cloud, and the upper branches of a cherry tree in bloom intruding into one corner, petals drifting. Photorealistic cinematic still, 16:9, muted film-like colour grading. No people, no text, no logos, no watermark.
sky-2-rain
sky-2-rain
2752×1536
gemini-3-pro-image16:92Kstudio
refs: sky-1-spring.jpg
プロンプト
Using the provided reference images of the same fixed camera position, generate the same framing in a different season. A locked-off view of the sky over a Japanese city, framed from a low balcony so that only a thin band of rooftops, utility poles and overhead cables runs along the very bottom of the frame and the rest is open sky. The composition is plain and static, built to be one of a set of four shots that differ only in season and weather. Early summer rain. A flat low grey overcast, the air heavy, rain streaking visibly across the frame and beading on the cables. Keep the rooftops, poles, cables and the exact framing identical to the reference images -- only the sky, the weather and the light change. Photorealistic cinematic still, 16:9, muted film-like colour grading. No people, no text, no logos, no watermark.
sky-3-autumn
sky-3-autumn
2752×1536
gemini-3-pro-image16:92Kstudio
refs: sky-1-spring.jpg, sky-2-rain.jpg
プロンプト
Using the provided reference images of the same fixed camera position, generate the same framing in a different season. A locked-off view of the sky over a Japanese city, framed from a low balcony so that only a thin band of rooftops, utility poles and overhead cables runs along the very bottom of the frame and the rest is open sky. The composition is plain and static, built to be one of a set of four shots that differ only in season and weather. Autumn. A high clear sky of deep saturated blue with long streaks of cirrus, the light hard and clean, the bare cables sharp against it. Keep the rooftops, poles, cables and the exact framing identical to the reference images -- only the sky, the weather and the light change. Photorealistic cinematic still, 16:9, muted film-like colour grading. No people, no text, no logos, no watermark.
sky-4-snow
sky-4-snow
2752×1536
gemini-3-pro-image16:92Kstudio
refs: sky-1-spring.jpg, sky-3-autumn.jpg
プロンプト
Using the provided reference images of the same fixed camera position, generate the same framing in a different season. A locked-off view of the sky over a Japanese city, framed from a low balcony so that only a thin band of rooftops, utility poles and overhead cables runs along the very bottom of the frame and the rest is open sky. The composition is plain and static, built to be one of a set of four shots that differ only in season and weather. Winter. A pale colourless overcast with snow falling steadily, flakes caught against the sky, a thin line of snow settled on the cables and rooftops. Keep the rooftops, poles, cables and the exact framing identical to the reference images -- only the sky, the weather and the light change. Photorealistic cinematic still, 16:9, muted film-like colour grading. No people, no text, no logos, no watermark.

キーフレーム

各箱の象徴的カットを、人物・ロケ地・小道具の参照を組み合わせて生成したもの。動画に進む前の認識合わせ用で、参照アセットが狙いの画に組み上がるかを試している。

box1-c01
box1-c01
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: school-exterior-base.jpg, school-exterior-alt.jpg
プロンプト
The exterior of a Japanese high school on a March afternoon after classes, seen wide and locked off. Low west sun washing the concrete wall in warm orange, long shadows across the ground. Nobody in frame, or at most one or two distant unrecognisable figures far away. Quiet and ordinary. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and school uniform exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box1-c02
box1-c02
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: clubroom-wide.jpg, clubroom-photo-wall.jpg
プロンプト
The interior of a cluttered high-school photography clubroom, empty of people, seen wide. Scattered equipment, a wall covered edge to edge with pinned darkroom prints, stacks of magazines, a long work table. Late afternoon in March, low warm west light raking through the window. A slow pan to the right is implied by the composition, with room left open on the right of the frame. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and school uniform exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box1-c03
box1-c03
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: clubroom-desk.jpg, cola-bottle.jpg, canned-coffee.jpg, print-stack.jpg
プロンプト
Close-up of a cluttered worktable in a high-school photography club room, late afternoon. A half-drunk glass cola bottle and a canned coffee stand side by side on the table, a loose stack of photographic prints behind them going soft in the background. Locked off, no people. Low warm west light rakes across the wood. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark. Both drinks carry their printed labels exactly as in the reference images, including their brand names, correctly spelled and legible at this distance.
box1-c04
box1-c04
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-hs-profile-left.png, a-highschool-base.png, clubroom-window.jpg, slr-camera.jpg
プロンプト
A Japanese male high-school student in a dark school uniform stands at the window of a photography club room in the late afternoon, raising a film SLR camera to his eye and looking through the viewfinder. Medium shot from the side, his profile against the backlit window, dust in the warm low sun. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box1-c05
box1-c05
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-highschool-base.png, k-hs-expr-serious.png, clubroom-desk.jpg, print-stack.jpg
プロンプト
A Japanese high-school girl of eighteen in her school uniform, sitting at the work table of a photography clubroom, lifting her face from a loose stack of darkroom prints and looking up and to her right, toward someone off frame right. Medium shot, locked off, she sits on the left of the frame. Her expression is easy, just starting to speak. Late afternoon in March, low warm west light raking through the window. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and school uniform exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box1-c06
box1-c06
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-highschool-base.png, a-hs-fullbody-front.png, clubroom-window.jpg, slr-camera.jpg
プロンプト
A Japanese high-school boy of eighteen in his school uniform, standing by the window of a photography clubroom, lowering the film SLR from his eye and turning to look to his left, toward someone off frame left. Medium shot, locked off, he stands on the right of the frame -- the reverse angle of the girl's shot. Late afternoon in March, low warm west light raking through the window. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and school uniform exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box1-c07
box1-c07
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-highschool-base.png, k-hs-expr-laugh.png, clubroom-window.jpg
プロンプト
A Japanese high-school girl of eighteen in her school uniform in a photography clubroom, wearing a slightly pleased, faintly proud half-smile as she answers, looking up and to her right toward someone off frame right. Medium shot, locked off, she is on the left of the frame. The low west light falls directly across her face. Late afternoon in March, low warm west light raking through the window. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and school uniform exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box1-c08
box1-c08
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-highschool-base.png, a-hs-fullbody-front.png, k-highschool-base.png, k-hs-fullbody-front.png, clubroom-wide.jpg
プロンプト
Wide shot of the whole photography club room in the late afternoon, with two Japanese high-school students in it: the boy standing near the window with a camera on a strap at his neck, the girl seated at the main worktable turned toward him. They are small in the frame, the cluttered room around them, the low west sun laying long shadows across the floor. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box1-c09
box1-c09
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: clubroom-desk.jpg, k-hs-fullbody-front.png, cola-bottle.jpg, canned-coffee.jpg
プロンプト
Close-up of the work table in a photography clubroom. A boy's hand takes the glass cola bottle and lifts it for a swallow; the bottle and his hand are sharp in the foreground. Far behind him, well out of focus, a girl tips a small can of coffee to her lips. Faces are not the subject -- the hands and the two drinks are. The girl's uniform matters even though she is out of focus, because it must match the rest of the film: she wears a NAVY BLAZER school uniform -- a navy blazer over a white shirt with a grey necktie, and a dark pleated skirt. It is NOT a sailor uniform: there is no sailor collar, no large square flap over the shoulders and no neckerchief or bow. Even soft and out of focus, the silhouette must read as a blazer with lapels and a shirt collar, exactly as in the character reference image. Late afternoon in March, low warm west light raking through the window. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep her face, hairstyle and uniform exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box1-c10
box1-c10
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: clubroom-photo-wall.jpg
プロンプト
A slow push in on the wall of a photography clubroom, covered edge to edge with pinned darkroom prints of club activities -- group shots, equipment, the school grounds. Among them, one print is different: a plain seascape, only the sea and the horizon line, with no people in it. That seascape sits near the centre of the frame and is the one the eye lands on. Late afternoon in March, low warm west light raking through the window. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and school uniform exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box2-c01
box2-c01
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: sns-post-screen.jpg, smartphone.jpg
プロンプト
A smartphone held in one hand, its screen filling most of the frame and sharp, showing a fictional social-media app: one short post by a young man near the top of an otherwise quiet feed. The interface is a plain invented design in muted greys and white. Everything else -- the hand, the background -- falls away out of focus. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Match the screen exactly to the screen reference image. No readable words other than what the screen reference already carries, no logos, no watermark.
box2-c02
box2-c02
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: sns-reply-screen.jpg, smartphone.jpg
プロンプト
The same smartphone screen as before, now with a short reply threaded directly beneath the original post, so the exchange reads as two messages instead of one. Same fictional app, same plain invented interface in muted greys and white, same framing and same focus. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Match the screen exactly to the screen reference image. No readable words other than what the screen reference already carries, no logos, no watermark.
box2-c03
box2-c03
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: residential-morning-wide.jpg, car-exterior.jpg
プロンプト
A quiet Japanese residential street early on a March morning, seen wide and locked off. A small ordinary hatchback has just pulled up at the kerb and stopped, its shape clear in the middle distance. Cool clean morning light, long soft shadows, nobody on the street. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location exactly consistent with the location reference image. No people. No text, no logos, no watermark.
box2-c04
box2-c04
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-hs-casual-front.jpg, k-hs-expr-laugh.png, car-interior.jpg
プロンプト
A Japanese girl of eighteen climbing into the PASSENGER seat of a small Japanese right-hand-drive car, caught mid-movement as she ducks in, turning her face into the cabin with a bright open grin. She wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. She is not in school uniform: no blazer, no necktie, no sailor collar, no ribbon, no school bag anywhere in the frame. THE GEOMETRY IS THE MOST IMPORTANT INSTRUCTION HERE. The car is RIGHT-HAND DRIVE, Japanese: the driver sits on the RIGHT side of the car and the passenger on the LEFT side. The camera is inside the cabin, in the driver's seat, turned to look LEFT across the car at the open passenger door. Therefore: the girl enters from the LEFT and is on the LEFT of the frame. The dashboard and windscreen run away to the frame's upper right. The steering wheel is on the CAMERA's own side, so at most only the dark blurred top rim of it may cut into the extreme bottom-RIGHT corner of the frame, out of focus. There is NO steering wheel in front of the girl, NO instrument cluster on her side of the car, and NO pedals near her feet. Nothing about this cabin may read as left-hand drive. Medium shot, the open passenger door beside her and the bright morning residential street blown out behind her. Early March morning. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep her face, hairstyle and outfit exactly consistent with the character reference images. No text, no logos, no watermark.
box2-c05
box2-c05
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: coast-road-wide.jpg, car-exterior.jpg
プロンプト
A small ordinary hatchback driving along a coastal road in the middle distance, seen wide and locked off, the sea flat and bright beyond the guardrail. Late morning, high clean light, the road empty in both directions. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location exactly consistent with the location reference image. No people. No text, no logos, no watermark.
box2-c06
box2-c06
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-hs-casual-front.jpg, k-hs-casual-front.jpg, car-interior.jpg
プロンプト
Two Japanese eighteen-year-olds, a boy and a girl, inside a small Japanese right-hand-drive car, seen from outside through the windscreen. The boy wears a washed light-grey hooded sweatshirt under an open black nylon coach jacket, slim black denim jeans and plain black low-top canvas sneakers. The girl wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. They are NOT in school uniform: no blazer, no necktie, no sailor collar, no ribbon, no school badge and no school bag anywhere in the frame. It is the morning of the closing ceremony and they have skipped it, so they are in their own everyday clothes. Who sits where matters and must not be swapped: the BOY is the driver. Because the car is right-hand drive and the camera is in front of it, the driver's seat appears on the LEFT side of the frame -- that is where the BOY sits, both hands on the steering wheel, facing forward and talking. The GIRL sits in the passenger seat on the RIGHT side of the frame, with no steering wheel in front of her, turned slightly toward him. She never touches the wheel and is never in the driver's seat. Both faces are clear and mid-conversation, easy with each other. Reflections of sky and coastline slide across the glass without hiding them. Locked off, late morning. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images. No text, no logos, no watermark.
box2-c07
box2-c07
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: car-interior.jpg, canned-coffee.jpg, cola-bottle.jpg
プロンプト
Close-up inside a moving car, of a girl's hands opening a small can of coffee, the pull tab just lifting. THE GEOMETRY IS THE MOST IMPORTANT INSTRUCTION HERE. The car is RIGHT-HAND DRIVE, Japanese: the driver sits on the RIGHT side of the car and the passenger on the LEFT side. The camera is in the driver's half of the cabin, looking LEFT and slightly forward across the car. Therefore the girl -- the PASSENGER -- and her hands come into the frame from the LEFT. There is NO steering wheel anywhere in this frame, no instrument cluster, and no second pair of hands: only the passenger's hands and the two drinks. Nothing may read as left-hand drive. Her wrists come out of the slightly too-long sleeves of an oversized off-white chunky knit sweater; she is in everyday clothes, not a school uniform, and no blazer sleeve or uniform cuff appears anywhere. The can is dark roasted brown with a cream band carrying the brand name KOHAKU and the word COFFEE below it. Standing on the dashboard beyond her hands, softer in focus, is a straight-sided glass cola bottle with a deep red label and a horizontal cream bar reading NAGI COLA. Faces are out of frame. Locked off, daylight through the windscreen. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep both drinks exactly consistent with their reference images, labels correctly spelled. No other text, no logos, no watermark.
box2-c08
box2-c08
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-hs-casual-front.jpg, k-hs-profile-right.png, car-interior.jpg
プロンプト
Close-up of the profile of a Japanese girl of eighteen in the passenger seat of a car with the window down, her hair lifting and streaming in the wind, eyes half closed into it. She wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers; the loose off-white knit collar and shoulder are what we see below her jaw. She is NOT in school uniform: no blazer, no necktie, no sailor collar, no ribbon, no school badge and no school bag anywhere in the frame. It is the morning of the closing ceremony and she has skipped it, so she is in their own everyday clothes. The coastline runs past behind her, thrown well out of focus. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box2-c09
box2-c09
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: coast-road-wide.jpg, car-interior.jpg
プロンプト
The view forward through a car windscreen as the sea comes into sight at the end of the road. In the foreground, the dark silhouetted backs of two heads -- a boy driving on the right, a girl on the left -- against the bright opening water. Their faces are not visible. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location exactly consistent with the location reference image. No people. No text, no logos, no watermark.
box2-c10
box2-c10
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: beach-parking-wide.jpg, car-exterior.jpg, a-hs-casual-front.jpg, k-hs-casual-front.jpg
プロンプト
A small ordinary hatchback parked in an empty seaside car park, seen wide and locked off. Cracked asphalt with faded white bays, a shuttered beach-house kiosk and two vending machines at one side, wind-bent pines behind, and a rusting steel guardrail along the seaward edge with worn concrete steps dropping through it down to the sand. Beyond, the flat sea and a low horizon. Out of season: the car is the only one there. Nobody parks a car on the sand -- the car is on the ASPHALT, inside the painted bays, with the guardrail between it and the beach. No vehicle is on the sand anywhere in this frame. Two Japanese eighteen-year-olds, a boy and a girl, are small in the frame, walking away from the parked car toward the steps. The boy wears a washed light-grey hooded sweatshirt under an open black nylon coach jacket, slim black denim jeans and plain black low-top canvas sneakers. The girl wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. They are not in school uniform. Their faces are not readable at this distance. Early afternoon, bright and slightly hazy, nobody else anywhere. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location exactly consistent with the location reference image. NO READABLE WRITING ANYWHERE: the kiosk shutters, the vending machines, the signboards and the car's plate carry no legible letters, words or numbers -- render them blank, faded or too small and soft to read. No text, no logos, no watermark.
box2-c11
box2-c11
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-hs-casual-front.jpg, k-hs-casual-front.jpg, beach-wide.jpg
プロンプト
Two Japanese eighteen-year-olds, a boy and a girl, walking across a wide empty beach, small in the frame and some distance from the camera, unhurried and slightly apart. The boy wears a washed light-grey hooded sweatshirt under an open black nylon coach jacket, slim black denim jeans and plain black low-top canvas sneakers. The girl wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. They are NOT in school uniform: no blazer, no necktie, no sailor collar, no ribbon, no school badge and no school bag anywhere in the frame. It is the morning of the closing ceremony and they have skipped it, so they are in their own everyday clothes. Wide, locked off. Flat bright sea, pale sand, no one else in sight. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box2-c12
box2-c12
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-hs-casual-back.jpg, beach-tideline.jpg
プロンプト
A point-of-view shot: the camera is the boy's own eyes, walking a few paces behind a Japanese girl of eighteen as she walks along the wet tide line. We see her from behind, her shoes and the edge of the water, the frame carrying the slight sway of walking. Her face is not visible. She wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers, the skirt moving with her stride. She is NOT in school uniform: no blazer, no necktie, no sailor collar, no ribbon, no school badge and no school bag anywhere in the frame. It is the morning of the closing ceremony and she has skipped it, so she is in their own everyday clothes. She carries a long, thin, weather-bleached piece of driftwood -- roughly as tall as she is -- held loosely in one hand near its upper end, the far tip trailing along the sand. As she walks she lets the trailing tip drag through the wet sand, and a single thin wavering line is scored into the sand behind her, running back toward the camera. The stick and that drawn line are the point of the shot -- both must be clearly visible. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box2-c13
box2-c13
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-hs-casual-back.jpg, beach-sand.jpg, slr-camera.jpg
プロンプト
A Japanese boy of eighteen seen from behind, standing on the sand and raising a film SLR to his eye to take a photograph. He wears a washed light-grey hooded sweatshirt under an open black nylon coach jacket, slim black denim jeans and plain black low-top canvas sneakers. He is NOT in school uniform: no blazer, no necktie, no sailor collar, no ribbon, no school badge and no school bag anywhere in the frame. It is the morning of the closing ceremony and he has skipped it, so he is in their own everyday clothes. Medium shot, locked off, his back fills the left of the frame; beyond him the bright empty beach. His face is not visible. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box2-c14
box2-c14
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-hs-casual-front.jpg, k-hs-expr-laugh.png, beach-tideline.jpg
プロンプト
A photograph taken as if seen through a camera viewfinder: a Japanese girl of eighteen standing at the tide line of a deserted March beach, hair lifted by the wind. She wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. She is NOT in school uniform: no blazer, no necktie, no sailor collar, no ribbon, no school badge and no school bag anywhere in the frame. It is the morning of the closing ceremony and she has skipped it, so she is in their own everyday clothes. She has turned back toward the camera and, with both hands, has swung a long thin weather-bleached piece of driftwood up and levelled it straight at the lens like a play sword, the near end of the stick pointing into the camera and slightly nearer than her, so it foreshortens. She is laughing -- an open, unguarded, childish laugh, teasing rather than shy, caught mid-laugh with her eyes creased. This is the emotional centre of the scene and the expression must read as delight, not embarrassment. Waist-up to knee framing so the raised stick and her face are both in frame, the grey sea and pale sky behind her. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box2-c15
box2-c15
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-hs-casual-front.jpg, beach-tideline.jpg
プロンプト
EXACTLY ONE PERSON IS IN THIS FRAME. A single Japanese girl of eighteen, alone, standing at the water's edge of a wide empty beach, her whole figure in frame, small against the flat sea. She wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. She is not in school uniform. She still holds a long thin weather-bleached driftwood stick loosely in one hand, its far tip resting on the wet sand. WHERE SHE STANDS MATTERS. She is standing ON THE SAND at the tide line, not in the sea. Her shoes are on firm wet sand; at most the thin dying film of a spent wave reaches the soles. She is NOT ankle-deep, NOT standing in water, and there is no water between her and the camera -- dry rippled sand runs from the bottom of the frame up to where she stands, and the sea begins beyond her. She is the only figure anywhere in the picture -- no second person, no companion, no distant walker, no silhouette on the horizon, and only ONE driftwood stick. Wide, locked off. Bright hazy afternoon. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box2-c16
box2-c16
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: photo-beach-k.jpg
プロンプト
A still photograph presented full-frame as an insert: an amateur film photograph of a Japanese high-school girl of eighteen at the sea, taken on a film SLR by a classmate. Visible grain, a slightly missed focus, mild vignetting at the corners, the colours a little washed by the bright day. It reads as a printed photograph, not as a film frame. Match it exactly to the reference photograph. Photorealistic, 16:9. No text, no logos, no watermark.
box2-c17
box2-c17
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-hs-casual-front.jpg, beach-wide.jpg
プロンプト
A Japanese girl of eighteen far down the beach, turning back over her shoulder toward the camera and calling something. She wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. She is NOT in school uniform: no blazer, no necktie, no sailor collar, no ribbon, no school badge and no school bag anywhere in the frame. It is the morning of the closing ceremony and she has skipped it, so she is in their own everyday clothes. The long driftwood stick is still in her hand, held low and angled down to the sand. Wide, locked off, she is small in the frame with a great deal of sea and sky around her. Bright hazy afternoon. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box2-c18
box2-c18
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-hs-casual-front.jpg, k-hs-casual-front.jpg, beach-sand.jpg, slr-camera.jpg
プロンプト
Two Japanese eighteen-year-olds, a boy and a girl, on the sand of a deserted March beach, looking at the small rear screen of a film SLR. The boy wears a washed light-grey hooded sweatshirt under an open black nylon coach jacket, slim black denim jeans and plain black low-top canvas sneakers. The girl wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. They are NOT in school uniform: no blazer, no necktie, no sailor collar, no ribbon, no school badge and no school bag anywhere in the frame. It is the morning of the closing ceremony and they have skipped it, so they are in their own everyday clothes. The distance between them matters and must not be closed: the boy stands holding the camera and turns the screen outward toward her; she stands a clear pace away, leaning in only from the waist to see it, hands at her sides. There is visible daylight between them. Their heads are NOT touching, their shoulders are NOT touching, and they are not leaning on each other -- they are two classmates, not a couple. Both faces are visible and pleased, but the ease is friendly, not intimate. Medium shot, locked off, bright afternoon. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box2-c19
box2-c19
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: beach-sand.jpg, cola-bottle.jpg, canned-coffee.jpg
プロンプト
Close-up of a glass cola bottle and a canned coffee standing side by side pushed into the sand of a deserted beach, late afternoon, the wet tide line and small waves out of focus behind them. Locked off, no people. Warm low sun. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark. Both drinks carry their printed labels exactly as in the reference images, including their brand names, correctly spelled and legible at this distance.
box2-c20
box2-c20
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-hs-casual-back.jpg, k-hs-casual-back.jpg, beach-wide.jpg
プロンプト
Wide locked-off shot from behind: a Japanese boy and girl of eighteen sitting side by side on the sand of a deserted March beach, seen from behind at a distance, the flat horizon across the upper frame. The boy wears a washed light-grey hooded sweatshirt under an open black nylon coach jacket, slim black denim jeans and plain black low-top canvas sneakers and sits with his knees up and his forearms resting on them. The girl wears an oversized off-white chunky knit sweater with sleeves slightly too long, a long black pleated skirt falling below the knee, and plain black canvas sneakers. HOW SHE SITS MATTERS. She sits the way someone actually sits on sand in a long skirt: both legs folded to one side and tucked under her, knees together, the pleated skirt falling and creasing naturally over her shins and gathered beneath her hip. The skirt is NOT spread out flat on the sand, NOT fanned into a circle or a symmetrical arc around her, and NOT arranged. It looks sat-in and slightly rumpled, not styled. They are not in school uniform. They sit with a clear gap between them -- close enough to talk, not touching. Late afternoon, the sun low and the light long. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box2-c21
box2-c21
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-hs-casual-front.jpg, k-hs-casual-front.jpg, beach-wide.jpg
プロンプト
Two figures standing far off on an empty beach, reduced to dark silhouettes against a low sun and a sea gone to sheets of hard bright light. Their outlines read as everyday clothes, not school uniforms -- the girl's silhouette shows a long skirt to below the knee and a loose sweater, the boy's a short open jacket and slim trousers. Very wide, locked off. Their faces cannot be read at this distance -- the shot is the light and the two small shapes in it. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c01
box3-c01
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: fukuoka-night-wide.jpg
プロンプト
The night skyline of Fukuoka seen wide and locked off: a field of mid-rise buildings with their windows and signs alight, close together, no single tower dominating. No people in frame. Early summer night, humid, the neighbouring buildings close and at nearly eye level rather than far below, their lights going to soft round bokeh. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c02
box3-c02
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-20-option3.png, k-20-option4.png, fire-escape-wide.jpg
プロンプト
Two young people of twenty climbing an exterior iron fire escape at night, seen from below as dark silhouettes against the lit sky, the ironwork cutting across them. Wide, low angle. Their faces are not readable -- they are shapes on the stairs. They wear relaxed casual clothes, not uniforms. Early summer night, humid, the neighbouring buildings close and at nearly eye level rather than far below, their lights going to soft round bokeh. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c03
box3-c03
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: rooftop-door.jpg
プロンプト
A heavy rooftop access door swinging open from the inside at night, the frame composed through the doorway so the dark stairwell edges the picture and the lit night city opens beyond. Wind is coming through. No people in frame, or only a hand still on the door. Early summer night, humid, the neighbouring buildings close and at nearly eye level rather than far below, their lights going to soft round bokeh. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c04
box3-c04
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-20-back.png, k-20-back.png, rooftop-wide.jpg
プロンプト
Two young people of twenty in relaxed casual clothes walking away from camera across a mid-rise rooftop at night toward its edge, seen from behind, small in a wide locked-off frame. Early summer night, humid, the neighbouring buildings close and at nearly eye level rather than far below, their lights going to soft round bokeh. The city is at their eye level rather than far below. Their faces are not visible. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c05
box3-c05
2752×1536
refs: rooftop-bench.jpg, chuhai-can.jpg
プロンプト
Two people's hands at night on a rooftop, opening cans of chu-hi. The cans are a tall slim canned chu-hi: a soft sage grey-green can with a wide citrus-yellow sash running diagonally across it and the brand name PUNCHING ZERO in dark bold condensed capitals on two lines, matching the can reference image. This must NOT look like a drinks advertisement. Deliberately understated: the hands and cans sit LOW and OFF TO ONE SIDE of the frame, small, taking up well under a third of it, with the wet roof deck and the out-of-focus city taking the rest. No symmetrical hero framing, no centred cans, no rim light or specular highlight raking across the metal, no condensation beads picked out. The cans are turned partly away and partly in shadow so the sash is recognisable but the brand name is NOT fully legible. One pull tab is just lifting; the two cans have knocked together casually rather than being posed in a toast. Both people are standing at the parapet at this point in the scene -- they have not sat down yet. Faces are out of frame. Handheld-feeling, slightly loose framing. Early summer night, humid, the neighbouring buildings close and at nearly eye level rather than far below, their lights going to soft round bokeh. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Match the location reference for the railing and skyline. No other text, no logos, no watermark.
box3-c06
box3-c06
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: rooftop-bench.jpg, k-20-option4.png, a-20-option3.png, chuhai-can.jpg
プロンプト
A medium two-shot of a Japanese man of twenty in relaxed casual loungewear and a Japanese woman of twenty in relaxed casual loungewear sitting on a rooftop bench at night, mid-conversation and easy with each other, each holding a tall slim canned chu-hi: a soft sage grey-green can with a wide citrus-yellow sash running diagonally across it and the brand name PUNCHING ZERO in dark bold condensed capitals on two lines, matching the can reference image. Both faces are large and clearly readable, the frame cutting them at about the waist. This is the first shot in which they are seated -- they sat down between the previous cut and this one. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- FRONT. The camera stands on the deck BETWEEN the bench and the parapet, at the height of a seated person, with its back to the city, looking back at them. From here the WOMAN is on the LEFT of the frame and the MAN on the RIGHT. Behind them the frame shows the roof deck, the stair-house and the water tank, and beyond the roof's far edges the lit windows of the neighbouring buildings going to soft round bokeh -- this roof has lit buildings on every side at nearly eye level. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c07
box3-c07
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: rooftop-bench.jpg, k-20-option4.png, k-20-expr-laugh.png, a-20-option3.png
プロンプト
a Japanese woman of twenty in relaxed casual loungewear sitting on a rooftop bench at night, laughing, seen from a little way off in profile. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- SIDE. The camera stands off the WOMAN's END of the bench, looking along the length of the bench. The bench runs away from the camera toward the RIGHT of the frame; the woman is nearest the camera and the man is beyond her, further into the frame. Both are seen in profile, FACING THE LEFT OF THE FRAME, because that is where the parapet and the city are: the handrail and the lit buildings fill the LEFT side of the background and go to bokeh. The stair-house is behind them on the right. This side camera is ALWAYS at the woman's end, never the man's. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c08
box3-c08
2752×1536
refs: rooftop-bench.jpg, a-20-back.png, k-20-back.png, slr-camera.jpg
プロンプト
a Japanese man of twenty in relaxed casual loungewear sitting on a rooftop bench at night, seen from behind, leaning down to a bag on the deck between his feet and lifting a film SLR camera out of it. His face is not visible. a Japanese woman of twenty in relaxed casual loungewear is seated beside him. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- BEHIND. The camera stands on the deck BEHIND the bench, on the stair-house side, looking past them at the parapet, the handrail and the city. From here the MAN is on the LEFT of the frame and the WOMAN on the RIGHT. Their faces are not visible. The bench and both people are on the camera's side of the parapet, with open deck between the bench and the parapet; the handrail crosses the frame in front of them, beyond their shoulders. Nobody is on the far side of the railing, leaning on it or sitting on it. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c09
box3-c09
2752×1536
refs: rooftop-bench.jpg, k-20-option4.png, k-20-expr-laugh.png, chuhai-can.jpg
プロンプト
A photograph as seen through a camera viewfinder, with the faint frame lines and exposure readout of the finder around the edges: a Japanese woman of twenty in relaxed casual loungewear sitting on a rooftop bench at night, turned toward the camera with an unguarded half-smile, still holding a tall slim canned chu-hi: a soft sage grey-green can with a wide citrus-yellow sash running diagonally across it and the brand name PUNCHING ZERO in dark bold condensed capitals on two lines, matching the can reference image in one hand. Waist-up framing, the city point lights dissolving into round bokeh behind her. EXACTLY ONE PERSON IS IN THIS FRAME. This is the man's own view through his camera, so HE IS NOT IN IT: no second person, no shoulder, no arm, no hand and no silhouette of anyone else anywhere in the picture, including at the edges and out of focus. Only the woman. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- the man is seated beside her on the same bench and has leaned back and turned to photograph her, so the camera is close and slightly to her side; she is turned toward it. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c10
box3-c10
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: photo-night-k.jpg
プロンプト
A still photograph presented full-frame as an insert: an amateur film photograph of a young woman of twenty at night, the city lights blown into soft discs behind her, taken on a film SLR by a friend. Visible grain, slight camera shake, the flash-less exposure a little soft. It reads as a printed photograph, not as a film frame. Match it exactly to the reference photograph. Photorealistic, 16:9. No text, no logos, no watermark.
box3-c11
box3-c11
2752×1536
refs: rooftop-bench.jpg, a-20-back.png, k-20-back.png
プロンプト
A wide shot of a mid-rise rooftop at night. a Japanese man of twenty in relaxed casual loungewear and a Japanese woman of twenty in relaxed casual loungewear are small in the frame, sitting side by side on the bench with their backs to the camera, looking out over the parapet at the city. The conversation has stopped. Most of the frame is roof deck, parapet and the lights of the neighbouring buildings. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- BEHIND. The camera stands on the deck BEHIND the bench, on the stair-house side, looking past them at the parapet, the handrail and the city. From here the MAN is on the LEFT of the frame and the WOMAN on the RIGHT. Their faces are not visible. The bench and both people are on the camera's side of the parapet, with open deck between the bench and the parapet; the handrail crosses the frame in front of them, beyond their shoulders. Nobody is on the far side of the railing, leaning on it or sitting on it. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c12
box3-c12
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: rooftop-bench.jpg, k-20-option4.png, a-20-option3.png
プロンプト
a Japanese woman of twenty in relaxed casual loungewear sitting on a rooftop bench at night in profile, still looking out at the city as she speaks, not turning to the man beside her. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- SIDE. The camera stands off the WOMAN's END of the bench, looking along the length of the bench. The bench runs away from the camera toward the RIGHT of the frame; the woman is nearest the camera and the man is beyond her, further into the frame. Both are seen in profile, FACING THE LEFT OF THE FRAME, because that is where the parapet and the city are: the handrail and the lit buildings fill the LEFT side of the background and go to bokeh. The stair-house is behind them on the right. This side camera is ALWAYS at the woman's end, never the man's. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c13
box3-c13
2752×1536
refs: rooftop-bench.jpg, a-20-option3.png, a-20-expr-serious.png, k-20-option4.png, slr-camera.jpg
プロンプト
a Japanese man of twenty in relaxed casual loungewear sitting on a rooftop bench at night, the hand holding his film SLR going still in his lap as he takes in what he has just heard. Medium shot, his face clearly readable. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- FRONT. The camera stands on the deck BETWEEN the bench and the parapet, at the height of a seated person, with its back to the city, looking back at them. From here the WOMAN is on the LEFT of the frame and the MAN on the RIGHT. Behind them the frame shows the roof deck, the stair-house and the water tank, and beyond the roof's far edges the lit windows of the neighbouring buildings going to soft round bokeh -- this roof has lit buildings on every side at nearly eye level. For this shot the camera is offset toward the MAN's side, so he is centred and the woman is only a soft out-of-focus shoulder entering at the LEFT edge of the frame. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c14
box3-c14
2752×1536
refs: rooftop-bench.jpg, k-20-option4.png, a-20-option3.png
プロンプト
a Japanese woman of twenty in relaxed casual loungewear sitting on a rooftop bench at night, turning her head to face the man beside her for the first time and saying something as though it were nothing much. Medium shot, her face clearly readable. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- FRONT. The camera stands on the deck BETWEEN the bench and the parapet, at the height of a seated person, with its back to the city, looking back at them. From here the WOMAN is on the LEFT of the frame and the MAN on the RIGHT. Behind them the frame shows the roof deck, the stair-house and the water tank, and beyond the roof's far edges the lit windows of the neighbouring buildings going to soft round bokeh -- this roof has lit buildings on every side at nearly eye level. For this shot the camera is offset toward the WOMAN's side, so she is centred and the man is only a soft out-of-focus shoulder entering at the RIGHT edge of the frame. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c15
box3-c15
2752×1536
refs: rooftop-bench.jpg, a-20-option3.png, a-20-expr-melancholy.png, k-20-option4.png
プロンプト
a Japanese man of twenty in relaxed casual loungewear sitting on a rooftop bench at night, a long unbroken take on his face as he looks for something to say and finally lets his eyes go back out to the city. FRAMING IS CRITICAL: this is a TIGHT MEDIUM SHOT of the man. His head and shoulders fill the upper half of the frame, the bottom edge cutting him at the chest, and his face is large and clearly readable. Do not pull back into a wide. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- FRONT. The camera stands on the deck BETWEEN the bench and the parapet, at the height of a seated person, with its back to the city, looking back at them. From here the WOMAN is on the LEFT of the frame and the MAN on the RIGHT. Behind them the frame shows the roof deck, the stair-house and the water tank, and beyond the roof's far edges the lit windows of the neighbouring buildings going to soft round bokeh -- this roof has lit buildings on every side at nearly eye level. For this shot the camera is offset toward the MAN's side, so he is centred and the woman is only a soft out-of-focus shoulder entering at the LEFT edge of the frame. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Static and unmoving, so that two generations can be joined invisibly. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c16
box3-c16
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: rooftop-bench.jpg, chuhai-can.jpg
プロンプト
Close-up of two cans of chu-hi standing side by side on the slatted wooden seat of a rooftop bench at night, in the empty gap between where two people are sitting. The cans are a tall slim canned chu-hi: a soft sage grey-green can with a wide citrus-yellow sash running diagonally across it and the brand name PUNCHING ZERO in dark bold condensed capitals on two lines, matching the can reference image. We see the weathered wooden slats and the painted steel frame of the bench under them, and beyond, out of focus, the parapet railing and the city lights. No people in frame -- only the two cans on the bench. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the cans exactly consistent with the reference image, the brand name correctly spelled. Match the bench and railing to the location reference image. No other text, no logos, no watermark.
box3-c17
box3-c17
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: rooftop-bench.jpg, k-20-option4.png, a-20-option3.png, cigarette-pack-a.jpg
プロンプト
A medium two-shot of a Japanese man of twenty in relaxed casual loungewear and a Japanese woman of twenty in relaxed casual loungewear sitting on a rooftop bench at night. She has turned to look at him with a mischievous grin; he is pulling a soft cigarette pack out of his trouser pocket -- an off-white soft pack with a deep navy band across it and a small double-circle-with-horizon mark, matching the pack reference image. Both faces readable. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- FRONT. The camera stands on the deck BETWEEN the bench and the parapet, at the height of a seated person, with its back to the city, looking back at them. From here the WOMAN is on the LEFT of the frame and the MAN on the RIGHT. Behind them the frame shows the roof deck, the stair-house and the water tank, and beyond the roof's far edges the lit windows of the neighbouring buildings going to soft round bokeh -- this roof has lit buildings on every side at nearly eye level. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c18
box3-c18
2752×1536
refs: rooftop-bench.jpg, a-20-option3.png, k-20-option4.png
プロンプト
Close on the face of a Japanese man of twenty in relaxed casual loungewear sitting on a rooftop bench at night, lighting a cigarette, an embarrassed half-smile coming through the first of the smoke. The flame of a lighter lifts his face out of the dark for a moment. He is properly SEATED ON THE BENCH, upright, his weight on the slatted seat and his feet flat on the deck. He is not crouching, not sitting on the floor, not perched on the arm or the back of the bench and not leaning against the parapet. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- FRONT. The camera stands on the deck BETWEEN the bench and the parapet, at the height of a seated person, with its back to the city, looking back at them. From here the WOMAN is on the LEFT of the frame and the MAN on the RIGHT. Behind them the frame shows the roof deck, the stair-house and the water tank, and beyond the roof's far edges the lit windows of the neighbouring buildings going to soft round bokeh -- this roof has lit buildings on every side at nearly eye level. For this shot the camera is offset toward the MAN's side, so he is centred and the woman is only a soft out-of-focus shoulder entering at the LEFT edge of the frame. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c19
box3-c19
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: rooftop-bench.jpg, k-20-option4.png, a-20-option3.png, cigarette-pack-k.jpg
プロンプト
a Japanese woman of twenty in relaxed casual loungewear sitting on a rooftop bench at night in profile, a cigarette held in her lips, smiling around it. On the bench beside her lies her own cigarette pack: a deep burgundy hard box with a thin pale grey line and a small upward chevron mark, matching the pack reference image. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- SIDE. The camera stands off the WOMAN's END of the bench, looking along the length of the bench. The bench runs away from the camera toward the RIGHT of the frame; the woman is nearest the camera and the man is beyond her, further into the frame. Both are seen in profile, FACING THE LEFT OF THE FRAME, because that is where the parapet and the city are: the handrail and the lit buildings fill the LEFT side of the background and go to bokeh. The stair-house is behind them on the right. This side camera is ALWAYS at the woman's end, never the man's. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark. SAY IT AGAIN BECAUSE IT IS EASY TO MIRROR: the woman is in the NEAR half of the frame, on the LEFT-of-centre, and the bench with the man on it runs AWAY FROM THE CAMERA TOWARD THE RIGHT of the frame. Both of them are looking toward the LEFT EDGE of the frame, because the parapet, the handrail and the city lights are on the LEFT. The stair-house and the water tank are on the RIGHT. Do not mirror this.
box3-c20
box3-c20
2752×1536
refs: rooftop-bench.jpg, a-20-back.png, k-20-back.png
プロンプト
A wide shot of a mid-rise rooftop at night: two seated figures small and dark on the bench, their backs to the camera, and two thin trails of cigarette smoke drifting off across the city lights, with two tiny orange embers glowing at their hands. Their faces are not visible and their features cannot be read. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- BEHIND. The camera stands on the deck BEHIND the bench, on the stair-house side, looking past them at the parapet, the handrail and the city. From here the MAN is on the LEFT of the frame and the WOMAN on the RIGHT. Their faces are not visible. The bench and both people are on the camera's side of the parapet, with open deck between the bench and the parapet; the handrail crosses the frame in front of them, beyond their shoulders. Nobody is on the far side of the railing, leaning on it or sitting on it. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c21
box3-c21
2752×1536
refs: rooftop-bench.jpg, a-20-option3.png, k-20-option4.png, cola-bottle.jpg
プロンプト
a Japanese man of twenty in relaxed casual loungewear sitting on a rooftop bench at night, holding up a straight-sided glass cola bottle with a deep red label and a horizontal cream bar reading NAGI COLA, with a pleased, slightly smug look, as though he has just explained something clever. Medium shot, the bottle held at chest height and clearly readable. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- FRONT. The camera stands on the deck BETWEEN the bench and the parapet, at the height of a seated person, with its back to the city, looking back at them. From here the WOMAN is on the LEFT of the frame and the MAN on the RIGHT. Behind them the frame shows the roof deck, the stair-house and the water tank, and beyond the roof's far edges the lit windows of the neighbouring buildings going to soft round bokeh -- this roof has lit buildings on every side at nearly eye level. For this shot the camera is offset toward the MAN's side, so he is centred and the woman is only a soft out-of-focus shoulder entering at the LEFT edge of the frame. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c22
box3-c22
2752×1536
refs: rooftop-bench.jpg, k-20-option4.png, k-20-expr-laugh.png, a-20-option3.png
プロンプト
a Japanese woman of twenty in relaxed casual loungewear sitting on a rooftop bench at night, laughing at the man beside her with fond exasperation, shaking her head slightly. Medium shot, her face clearly readable. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- FRONT. The camera stands on the deck BETWEEN the bench and the parapet, at the height of a seated person, with its back to the city, looking back at them. From here the WOMAN is on the LEFT of the frame and the MAN on the RIGHT. Behind them the frame shows the roof deck, the stair-house and the water tank, and beyond the roof's far edges the lit windows of the neighbouring buildings going to soft round bokeh -- this roof has lit buildings on every side at nearly eye level. For this shot the camera is offset toward the WOMAN's side, so she is centred and the man is only a soft out-of-focus shoulder entering at the RIGHT edge of the frame. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c23
box3-c23
2752×1536
refs: rooftop-bench.jpg, a-20-back.png, k-20-back.png
プロンプト
A wide shot of a mid-rise rooftop at night, a Japanese man of twenty in relaxed casual loungewear and a Japanese woman of twenty in relaxed casual loungewear sitting on the bench in the middle distance in the last of a shared laugh, the smoke thinning out above them and going. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- BEHIND. The camera stands on the deck BEHIND the bench, on the stair-house side, looking past them at the parapet, the handrail and the city. From here the MAN is on the LEFT of the frame and the WOMAN on the RIGHT. Their faces are not visible. The bench and both people are on the camera's side of the parapet, with open deck between the bench and the parapet; the handrail crosses the frame in front of them, beyond their shoulders. Nobody is on the far side of the railing, leaning on it or sitting on it. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c24
box3-c24
2752×1536
refs: rooftop-bench.jpg, a-20-back.png, k-20-back.png
プロンプト
a Japanese man of twenty in relaxed casual loungewear and a Japanese woman of twenty in relaxed casual loungewear sitting side by side on a rooftop bench at night, seen from behind in silence, looking out over the parapet at the city. A long unbroken static take. Their faces are not visible. THE GEOGRAPHY OF THIS ROOF IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. The parapet with its steel handrail runs along the FAR edge of the deck, with the city beyond it. The boxy stair-house and the water tank stand at the NEAR edge, opposite the parapet. Between them, on the open deck three or four paces back from the parapet, stands ONE bench, and its seat FACES THE PARAPET AND THE CITY. The bench is a plain weathered wooden bench -- seat and low back both of horizontal wooden slats gone grey, on a rusting painted steel frame with a diagonal cross-brace underneath, long enough for two. It is not a chair, not a folding seat, not a park bench with armrests, not a concrete ledge, and there is never a second seat of any kind in the frame. It is free-standing with walkable deck in front of it and behind it, and is not attached to the parapet. The two of them sit on that one bench, side by side, BOTH FACING THE SAME WAY -- out toward the parapet and the city. The man sits on the bench's right half as the bench itself faces; the woman on its left half. This never changes. ONE SEAT, NOT TWO. Both of them have their weight on the SAME CONTINUOUS SLATTED SEAT: the run of slats passes unbroken from under one of them, across the gap between them, to under the other, and that unbroken run must be visible in the frame. They sit only about half a metre apart -- close enough that one bench obviously holds them both, not touching. There are NEVER two seats, two benches, a bench plus a chair, or two people on separate furniture, and they never face each other. CAMERA POSITION -- BEHIND. The camera stands on the deck BEHIND the bench, on the stair-house side, looking past them at the parapet, the handrail and the city. From here the MAN is on the LEFT of the frame and the WOMAN on the RIGHT. Their faces are not visible. The bench and both people are on the camera's side of the parapet, with open deck between the bench and the parapet; the handrail crosses the frame in front of them, beyond their shoulders. Nobody is on the far side of the railing, leaning on it or sitting on it. There is nobody else on this roof: no third figure, no extra silhouette and no bystander anywhere, including far back, in shadow and out of focus. Early summer night, humid, warm and still. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the bench and the railing exactly consistent with the location reference image. No text, no logos, no watermark.
box3-c25
box3-c25
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: rooftop-sky.jpg
プロンプト
A slow tilt upward from a rooftop at night: the lit buildings sliding out of the bottom of the frame, leaving the dark early-summer sky filling most of the picture, a faint glow of city light along the lower edge. No people. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location exactly consistent with the location reference image. No text, no logos, no watermark.
box4-c01
box4-c01
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-30-back.jpg, k-30-option2.png, airport-gate-wide.jpg
プロンプト
A woman in her early thirties seen from behind, walking away toward an airport departure gate with a suitcase rolling beside her. Wide, locked off, she is small in the frame under the flat even terminal light. Her face is not visible. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box4-c02
box4-c02
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-room-desk.jpg, cola-bottle.jpg
プロンプト
Japan, night, cool blue-toned light. The desk in a man's small apartment at night, seen locked off. A straight-sided glass cola bottle with a deep red label and a horizontal cream bar reading NAGI COLA stands half drunk on the desk. WHERE THE BOTTLE STANDS: it is ON THE WOODEN DESKTOP, to one side, standing on a flat clear patch of the desk the way somebody would actually put a drink down -- near the edge, clear of the keyboard. It is NOT on top of the laptop, NOT on the keyboard, NOT on the closed lid, NOT balanced on a book, a speaker or a stack of paper. Nothing is standing on the laptop at all. No people. The room is quiet and a little untidy. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location and the bottle exactly consistent with their reference images. NO READABLE WRITING ANYWHERE except the drink label named above: papers, notes, spines, screens and packaging carry no legible letters, words or numbers -- render them blank, creased, turned away or too soft to read. Do not invent menus, bills, lists or signage with writing on them. No logos, no watermark.
box4-c03
box4-c03
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-apartment-window.jpg
プロンプト
America, daytime, dry warm light. The window of a woman's apartment and the dry sunlit street beyond it, seen locked off. Low brick buildings, hard shadows, the light bleached and warm. No people. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location exactly consistent with the location reference image. No text, no logos, no watermark.
box4-c04
box4-c04
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: message-draft-screen.jpg, smartphone.jpg
プロンプト
Japan, night, cool blue-toned light. Close-up of a man's hands holding a smartphone, one thumb deleting an unsent message character by character. The screen shows a fictional messaging app with a half-written line being erased. Faces are out of frame. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Match the screen exactly to the screen reference image. No readable words other than what the screen reference already carries, no logos, no watermark.
box4-c05
box4-c05
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-apartment-desk.jpg, coffee-cup.jpg, cola-bottle.jpg
プロンプト
America, daytime, dry warm light. A woman's desk in her apartment, seen close and locked off. In the foreground, sharp, a plain white coffee cup she has been drinking from, a little left in it. Set down beside it on the desk, just arriving in the frame's world, is ONE straight-sided glass cola bottle with a deep red label and a horizontal cream bar reading NAGI COLA -- unopened, still cold, the paper convenience-store bag it came in crumpled down around its base. The point is that the two drinks are on the same desk for the first time: the coffee she has always drunk, and a single bottle of the thing she used to make fun of. Exactly ONE cola bottle -- not a row, not a shelf, not a fridge full of them, and no shop interior anywhere in the frame. No people. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location and the bottle exactly consistent with their reference images, the label correctly spelled. No other text, no logos, no watermark.
box4-c06
box4-c06
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: jp-kissaten-wide.jpg, coffee-cup.jpg
プロンプト
Japan, night, cool blue-toned light. Close-up of a man's hands on a table in an old Japanese coffee shop as a cup of black coffee is set down in front of him by a server's hand. The gesture is small; this is the first time he has ordered it. Faces are out of frame. Locked off, warm interior light. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location and the cup exactly consistent with their reference images. No text, no logos, no watermark.
box4-c07
box4-c07
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: us-convenience-counter.jpg, cola-can.jpg
プロンプト
America, daytime, dry warm light. Close-up of a woman's hands at a convenience store checkout counter, setting down a chilled aluminium can of cola -- deep red with a horizontal cream bar reading NAGI COLA -- beside an old beige register. Faces are out of frame. Flat fluorescent light. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location and the can exactly consistent with their reference images, the brand name correctly spelled. No other text, no logos, no watermark.
box4-c08
box4-c08
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-30-option1.png, a-30-profile-left.jpg, a-room-balcony.jpg, cigarette-pack-k.jpg, coffee-cup.jpg
プロンプト
A Japanese man in his early thirties stands on the narrow balcony of his apartment at night, lighting a cigarette, a coffee cup in his other hand. On the balcony rail beside him rests a deep oxblood burgundy hard-box pack of cigarettes with a thin warm-grey line near its top and the brand name "CRANE" in warm-grey serif capitals set large just below that line and clearly legible, exactly matching the hard-box reference image in colour, shape and markings; it is simply there, never emphasised. Medium shot of his profile, the flame briefly warming his face, the cold blue city night behind him and the warm tungsten of the room spilling from behind. Alone. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box4-c09
box4-c09
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-30-option2.png, k-30-fullbody-front.jpg, k-fire-escape-wide.jpg, cola-can.jpg, cigarette-pack-a.jpg
プロンプト
A Japanese woman in her early thirties sits on the iron fire escape outside her American apartment in the late afternoon, a cigarette between her fingers and a can of cola beside her on the grating, and next to it a worn off-white soft pack of cigarettes with a dark navy band across its lower third carrying the brand name "HARBOR" in cream serif capitals set large, exactly matching the soft-pack reference image in colour, shape and markings. Wide shot, she is small in the frame against the brick and the ironwork. Dry warm low sun, long shadows through the grating. Alone. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the location exactly consistent with the location reference image. No text, no logos, no watermark.
box4-c10
box4-c10
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-room-desk.jpg, coffee-cup.jpg
プロンプト
Japan, night, cool blue-toned light. A high overhead shot looking straight down at the desk in a man's apartment at night, locked off. THERE IS NO COLA ANYWHERE in this frame -- no bottle, no can, no red label. What the desk carries instead is the evidence of a coffee habit that has settled in: a used mug with a little left in it, a plastic dripper cone sitting on a second mug, a folded paper filter, an opened bag of ground coffee with the top rolled down, a small hand grinder, a spoon. They are arranged the way a real desk gets arranged -- pushed to one side, slightly crowded, not styled. THE DESK IS NOT STAINED. Do not draw pale overlapping rings from coffee cups on the wood, and do not draw any ring marks, spill halos or repeated circular stains at all. The wood is ordinary and unmarked apart from normal wear. No people. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location and the cup exactly consistent with their reference images. NO READABLE WRITING ANYWHERE except the drink label named above: papers, notes, spines, screens and packaging carry no legible letters, words or numbers -- render them blank, creased, turned away or too soft to read. Do not invent menus, bills, lists or signage with writing on them. No logos, no watermark.
box4-c11
box4-c11
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-apartment-kitchen.jpg, cola-bottle.jpg
プロンプト
America, daytime, dry warm light. A small apartment refrigerator standing open, its interior light spilling out into the dim kitchen. On the shelves stand a row of straight-sided glass cola bottles with deep red labels and horizontal cream bars reading NAGI COLA, and very little else. A hand still on the door. Locked off. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location and the bottles exactly consistent with their reference images. No other text, no logos, no watermark.
box4-c12
box4-c12
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: a-room-desk.jpg, photo-night-k.jpg
プロンプト
Japan, night, cool blue-toned light. A wide, locked-off view of a corner of a man's room at night: the end of a bookshelf beside his desk, the shelves crowded with paperbacks, box files, a camera bag, a coiled cable, a dead plant. Somewhere in that clutter, a printed film photograph of a young woman at night with city lights blown into soft discs behind her is stuck flat to the vertical side panel of the bookshelf with a strip of yellowed tape, slightly crooked, its corners curled with age, with a stack of paperbacks leaning across one of its lower corners. It is not in a frame, not on a stand, not propped in an empty niche and not lit like an ornament -- it is taped to a surface and forgotten. IT MUST NOT BE THE OBVIOUS SUBJECT OF THIS FRAME. It is small -- about a tenth of the frame's width, small enough that it is not what the eye lands on first, but still visible -- it is off to one side and low, it is not centred, it is not lit any differently from the rest of the shelf, it is not the sharpest thing in the picture and nothing points at it. A viewer should be able to look at this frame and not notice it at first. This is the WIDE start of a shot that will slowly push in to it later; the photograph's ordinariness is the point. No people, no hands. Match the photograph exactly to the reference photograph. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Match the room to the location reference image. NO READABLE WRITING ANYWHERE except the drink label named above: papers, notes, spines, screens and packaging carry no legible letters, words or numbers -- render them blank, creased, turned away or too soft to read. Do not invent menus, bills, lists or signage with writing on them. No logos, no watermark.
box4-c13
box4-c13
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: k-apartment-kitchen.jpg, photo-beach-k.jpg
プロンプト
America, daytime, dry warm light. A locked-off view of a corner of a woman's apartment, framed so that the refrigerator door fills most of the left two thirds of the picture and the worktop beside it -- a kettle, a jar, a tea towel over the oven handle -- fills the rest. Stuck to the fridge door with magnets are blank slips of paper, a wall calendar and a couple of snapshots. Among them, low down in the bottom third of the fridge door and off to one side, with one corner tucked behind a folded slip of paper, is a printed film photograph of a girl at the sea laughing and holding a long piece of driftwood out toward the camera. It is visible and its subject can be made out, but it is one item among many rather than the thing the frame is about. IT MUST NOT BE THE OBVIOUS SUBJECT OF THIS FRAME. It is small -- about an eighth of the frame's width, small enough that it is not what the eye lands on first, but still legible -- it is low and off to one side, it is not centred on the door, it is not lit any differently from everything around it, it is not the sharpest thing in the picture and nothing points at it. A viewer should be able to look at this frame and not notice it at first. This is the WIDE start of a shot that will slowly push in to it later; the photograph's ordinariness is the point. No people, no hands. Match the photograph exactly to the reference photograph. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Match the room to the location reference image. NO READABLE WRITING ANYWHERE except the drink label named above: papers, notes, spines, screens and packaging carry no legible letters, words or numbers -- render them blank, creased, turned away or too soft to read. Do not invent menus, bills, lists or signage with writing on them. No logos, no watermark.
box4-c14
box4-c14
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: sky-1-spring.jpg
プロンプト
The same patch of sky photographed from the same fixed position in a different season -- bare branches of a cherry tree crossing the frame edge in soft spring light. Locked off, no people, no ground, just sky and the branch. Match the framing and the sky exactly to the reference image. Photorealistic cinematic film still, 16:9, muted film-like colour grading. No text, no logos, no watermark.
box5-c01
box5-c01
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: cafe-exterior-wide.jpg, cafe-exterior-sign.jpg
プロンプト
A modern Japanese street corner in the afternoon with an old coffee shop on it, seen wide. Tiled facade, a weathered awning, and beside the door a small sign indicating that smoking is allowed inside. Ordinary passers-by may be distant and unrecognisable. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep the location exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c02
box5-c02
2752×1536
refs: cafe-interior-wide.jpg
プロンプト
A wide establishing shot of the room, locked off. Smoke drifts slowly in the light. A few customers, none of them the two we care about yet. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- DOWN THE LENGTH. The camera stands at the counter end of the room and looks down the length of the banquette, so the partition runs away from the camera into the depth of the frame. From here the WINDOW side -- K and her female friend -- is always on the LEFT of the frame, and the COUNTER side -- A and his male friend -- is always on the RIGHT. This left/right never changes between shots. THE PARTITION MUST READ AS A LONG WALL, NOT A PILLAR. Its near end is closest to the camera and its long top edge and its panelled face run away from the camera deep into the frame, so that its LENGTH is unmistakable -- it reaches most of the way to the back wall of the room. It is not a short free-standing post, not a column, not a screen between two tables. The benches on both sides run along it for its whole length. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c03
box5-c03
2752×1536
refs: cafe-interior-counter.jpg, a-30-fullbody-front.jpg, friend-a-front.jpg, cigarette-pack-k.jpg
プロンプト
a Japanese man of about thirty-three in a plain office-casual shirt, a wedding ring on his left hand sitting on the bench at his table, seen over the shoulder of his male friend of the same age in the chair opposite, mid-answer to a question about married life. His face is clearly readable. On the table in front of him his left hand rests where the wedding ring can be read. On A's table, beside the ashtray, lies a deep burgundy hard cigarette box with a thin pale grey line and a small upward chevron -- it is K's brand, not his. It is simply there; nothing draws attention to it. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- A'S TABLE. The camera is on the COUNTER side of the room, at the chair opposite A, looking across his table at him. THE PARTITION FILLS THE FRAME BEHIND him. The camera looks across the table at him, who has their back to the partition, so the dark wood panelling fills the ENTIRE WIDTH of the picture behind them, running out past the LEFT edge and past the RIGHT edge. Neither end of the partition is visible. Nothing of the room beyond it shows: no far wall, no window, no doorway, no other table and no open space above it -- the panelling rises well above the top of their head and continues out of the top of the frame or to just below it. It must read as a wall. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c04
box5-c04
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: cafe-interior-window.jpg, k-30-fullbody-front.jpg, friend-k-front.jpg, cigarette-pack-a.jpg
プロンプト
a Japanese woman of about thirty-three in a simple blouse, a wedding ring on her left hand sitting on the bench at her table, seen over the shoulder of her female friend of the same age in the chair opposite -- the matching reverse of the previous shot. EXACTLY TWO PEOPLE ARE AT THIS TABLE and no more: K facing the camera, and her one friend in the near foreground with her back to us. There is no third person at the table and nobody standing beside it. Her face is clearly readable, easy and amused. Her left hand is on the table where the wedding ring can be read. The friend facing her is unmistakably a WOMAN. On K's table lies an off-white soft cigarette pack with a deep navy band and a small double-circle-with-horizon mark -- it is A's brand, not hers. It is simply there; nothing draws attention to it. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- K'S TABLE. The camera is on the WINDOW side of the room, at the chair opposite K, looking across her table at her. THE PARTITION FILLS THE FRAME BEHIND her. The camera looks across the table at her, who has their back to the partition, so the dark wood panelling fills the ENTIRE WIDTH of the picture behind them, running out past the LEFT edge and past the RIGHT edge. Neither end of the partition is visible. Nothing of the room beyond it shows: no far wall, no window, no doorway, no other table and no open space above it -- the panelling rises well above the top of their head and continues out of the top of the frame or to just below it. It must read as a wall. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c05
box5-c05
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: cafe-interior-backtoback.jpg, k-30-fullbody-front.jpg, a-30-fullbody-front.jpg, friend-k-front.jpg, friend-a-front.jpg
プロンプト
The shot in which the audience understands for the first time that the two tables are back to back. A wide locked-off shot down the length of the room: on the left, on the window side of the partition, a woman and her female friend at their table; on the right, on the counter side, a man and his male friend at theirs. The tall partition runs between them, and it is obvious that neither pair can see the other. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- DOWN THE LENGTH. The camera stands at the counter end of the room and looks down the length of the banquette, so the partition runs away from the camera into the depth of the frame. From here the WINDOW side -- K and her female friend -- is always on the LEFT of the frame, and the COUNTER side -- A and his male friend -- is always on the RIGHT. This left/right never changes between shots. THE PARTITION MUST READ AS A LONG WALL, NOT A PILLAR. Its near end is closest to the camera and its long top edge and its panelled face run away from the camera deep into the frame, so that its LENGTH is unmistakable -- it reaches most of the way to the back wall of the room. It is not a short free-standing post, not a column, not a screen between two tables. The benches on both sides run along it for its whole length. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c06
box5-c06
2752×1536
refs: cafe-interior-backtoback.jpg, cigarette-pack-k.jpg
プロンプト
Close-up on A's side: a man's hand tapping ash off a cigarette into a heavy glass ashtray on the table. Exactly one hand and exactly one lit cigarette -- no second hand and no second cigarette anywhere. Beside the ashtray sits a deep burgundy hard cigarette box with a thin pale grey line and a small upward chevron. Faces are out of frame; behind the hands, out of focus, the dark wood of the partition fills the frame. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- table height on A's side, looking across the table at his hands. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c07
box5-c07
2752×1536
refs: cafe-interior-window.jpg, k-30-fullbody-front.jpg, cigarette-pack-a.jpg
プロンプト
a Japanese woman of about thirty-three in a simple blouse, a wedding ring on her left hand sitting on the bench at her table, lighting a cigarette -- the frame holds her hands and the flame and her face together. Her expression is wry and private. On the table lies an off-white soft cigarette pack with a deep navy band and a small double-circle-with-horizon mark -- A's brand, in her hands, though nothing in the shot points at it. No drinks anywhere on the table; nothing has been served yet. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- K'S TABLE. The camera is on the WINDOW side of the room, at the chair opposite K, looking across her table at her. THE PARTITION FILLS THE FRAME BEHIND her. The camera looks across the table at her, who has their back to the partition, so the dark wood panelling fills the ENTIRE WIDTH of the picture behind them, running out past the LEFT edge and past the RIGHT edge. Neither end of the partition is visible. Nothing of the room beyond it shows: no far wall, no window, no doorway, no other table and no open space above it -- the panelling rises well above the top of their head and continues out of the top of the frame or to just below it. It must read as a wall. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c08
box5-c08
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: cafe-interior-backtoback.jpg, k-30-fullbody-front.jpg, a-30-fullbody-front.jpg
プロンプト
THE CENTRAL SHOT OF THE SCENE. FRAMING FIRST: this is a TIGHT shot that holds only TWO people and the partition between them. The woman fills the left third of the frame and the man the right third, both cut at about the waist, their faces large and clearly readable in profile. Their two friends are OUTSIDE the frame entirely and must not appear. Do not pull back into a wide of the room. a Japanese woman of about thirty-three in a simple blouse, a wedding ring on her left hand and a Japanese man of about thirty-three in a plain office-casual shirt, a wedding ring on his left hand seen from the side, seated back to back through the partition, their two profiles arranged almost symmetrically on either side of it. She is on the LEFT of the frame. WHICH WAY THEY FACE IS THE WHOLE POINT AND IS EASY TO GET BACKWARDS: their BACKS are against the partition, so each faces AWAY from it, out toward their own side of the room. She is on the LEFT of the frame and looks toward the LEFT EDGE of the frame, out at the windows. He is on the RIGHT of the frame and looks toward the RIGHT EDGE of the frame, out at the counter. They do NOT face each other, do NOT face the partition, and neither is turned inward toward the centre of the picture. The tall dark partition stands between them, rising above both their heads. Neither has any idea the other is there, and the picture must make it physically obvious that neither could know. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- DOWN THE LENGTH. The camera stands at the counter end of the room and looks down the length of the banquette, so the partition runs away from the camera into the depth of the frame. From here the WINDOW side -- K and her female friend -- is always on the LEFT of the frame, and the COUNTER side -- A and his male friend -- is always on the RIGHT. This left/right never changes between shots. THE PARTITION MUST READ AS A LONG WALL, NOT A PILLAR. Its near end is closest to the camera and its long top edge and its panelled face run away from the camera deep into the frame, so that its LENGTH is unmistakable -- it reaches most of the way to the back wall of the room. It is not a short free-standing post, not a column, not a screen between two tables. The benches on both sides run along it for its whole length. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Locked off, still, held. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c09
box5-c09
2752×1536
refs: cafe-interior-counter.jpg, server-front.jpg, a-30-fullbody-front.jpg
プロンプト
An elderly male waiter in a white shirt and dark apron arriving at A's table, order pad in hand, asking whether they are ready. Medium shot, his face clearly readable. A is seated on the bench. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- A'S TABLE. The camera is on the COUNTER side of the room, at the chair opposite A, looking across his table at him. THE PARTITION FILLS THE FRAME BEHIND him. The camera looks across the table at him, who has their back to the partition, so the dark wood panelling fills the ENTIRE WIDTH of the picture behind them, running out past the LEFT edge and past the RIGHT edge. Neither end of the partition is visible. Nothing of the room beyond it shows: no far wall, no window, no doorway, no other table and no open space above it -- the panelling rises well above the top of their head and continues out of the top of the frame or to just below it. It must read as a wall. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c10
box5-c10
2752×1536
refs: cafe-interior-counter.jpg, a-30-fullbody-front.jpg
プロンプト
a Japanese man of about thirty-three in a plain office-casual shirt, a wedding ring on his left hand closing the menu and looking up to order. Medium shot, his face clearly readable, the menu coming down in his hands. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- A'S TABLE. The camera is on the COUNTER side of the room, at the chair opposite A, looking across his table at him. THE PARTITION FILLS THE FRAME BEHIND him. The camera looks across the table at him, who has their back to the partition, so the dark wood panelling fills the ENTIRE WIDTH of the picture behind them, running out past the LEFT edge and past the RIGHT edge. Neither end of the partition is visible. Nothing of the room beyond it shows: no far wall, no window, no doorway, no other table and no open space above it -- the panelling rises well above the top of their head and continues out of the top of the frame or to just below it. It must read as a wall. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c11
box5-c11
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: cafe-interior-wide.jpg, server-front.jpg
プロンプト
The waiter walking around the end of the partition from the counter side to the window side, to reach the other table. A longer, wider shot that shows the two sides of the room and the length of the partition between them. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- DOWN THE LENGTH. The camera stands at the counter end of the room and looks down the length of the banquette, so the partition runs away from the camera into the depth of the frame. From here the WINDOW side -- K and her female friend -- is always on the LEFT of the frame, and the COUNTER side -- A and his male friend -- is always on the RIGHT. This left/right never changes between shots. THE PARTITION MUST READ AS A LONG WALL, NOT A PILLAR. Its near end is closest to the camera and its long top edge and its panelled face run away from the camera deep into the frame, so that its LENGTH is unmistakable -- it reaches most of the way to the back wall of the room. It is not a short free-standing post, not a column, not a screen between two tables. The benches on both sides run along it for its whole length. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c12
box5-c12
2752×1536
refs: cafe-interior-window.jpg, k-30-fullbody-front.jpg, server-front.jpg
プロンプト
a Japanese woman of about thirty-three in a simple blouse, a wedding ring on her left hand handing the menu back up to the waiter and giving her order. Medium shot, her face clearly readable; the waiter's hand and forearm come into the frame to take the menu. Her expression is unremarkable, as though what she has just asked for is the most ordinary thing in the world. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- K'S TABLE. The camera is on the WINDOW side of the room, at the chair opposite K, looking across her table at her. THE PARTITION FILLS THE FRAME BEHIND her. The camera looks across the table at her, who has their back to the partition, so the dark wood panelling fills the ENTIRE WIDTH of the picture behind them, running out past the LEFT edge and past the RIGHT edge. Neither end of the partition is visible. Nothing of the room beyond it shows: no far wall, no window, no doorway, no other table and no open space above it -- the panelling rises well above the top of their head and continues out of the top of the frame or to just below it. It must read as a wall. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c13
box5-c13
2752×1536
refs: cafe-interior-window.jpg, friend-k-front.jpg, friend-k-expr-surprised.jpg
プロンプト
her female friend of the same age, a woman of about thirty-three, looking at K across the table with genuine surprise and the beginning of a tease. Medium shot, her face clearly readable. She is a WOMAN, not a man. The performance is teasing and fond, not unkind, and it is deliberately underplayed -- the meaning of the scene belongs to K's unanswering smile, not to her. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- REVERSE ON K'S TABLE. The camera is at K's own place on the bench, looking back across her table at her friend in the chair opposite. Behind the friend is the WINDOW WALL: tall windows with net curtains and soft afternoon light blowing out behind her. The partition is behind the camera and is not in this frame. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box5-c14
box5-c14
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: cafe-interior-wide.jpg, k-30-fullbody-front.jpg, a-30-fullbody-front.jpg
プロンプト
The final wide of the room, held long. Smoke, low late-afternoon light coming in flat through the net curtains, and the two pairs sitting back to back on either side of the partition, still unaware of each other. Nothing moves much. THE GEOGRAPHY OF THIS ROOM IS FIXED AND MUST BE IDENTICAL IN EVERY SHOT. Down the centre of an old Japanese kissaten, along almost its whole length, runs a back-to-back banquette: one long continuous upholstered bench on each side of a single shared PARTITION. The partition is a solid panel of dark wood with a moulded cap along its top, unbroken, with no gap and no opening, and it stands DISTINCTLY TALLER THAN THE HEAD OF A SEATED ADULT -- about 1.6 metres from the floor. It reads as an interior wall that happens to have benches attached to it, never as the back of a sofa and never as a short screen. Somebody sitting on one side cannot see the head or the shoulders of somebody sitting on the other. On the WINDOW side of the partition are tall windows with net curtains and soft afternoon light. On the COUNTER side is a dark wooden counter with siphon coffee brewers. Each side has small square tables, with the long bench on the partition side and plain wooden chairs opposite it. WHO SITS WHERE NEVER CHANGES. The woman K and her female friend are on the WINDOW side. The man A and his male friend are on the COUNTER side. K and A each sit on the bench with their backs to the partition, so they are back to back through it, with their friends on the chairs facing them. CAMERA POSITION -- DOWN THE LENGTH. The camera stands at the counter end of the room and looks down the length of the banquette, so the partition runs away from the camera into the depth of the frame. From here the WINDOW side -- K and her female friend -- is always on the LEFT of the frame, and the COUNTER side -- A and his male friend -- is always on the RIGHT. This left/right never changes between shots. THE PARTITION MUST READ AS A LONG WALL, NOT A PILLAR. Its near end is closest to the camera and its long top edge and its panelled face run away from the camera deep into the frame, so that its LENGTH is unmistakable -- it reaches most of the way to the back wall of the room. It is not a short free-standing post, not a column, not a screen between two tables. The benches on both sides run along it for its whole length. The room is quiet, with only a few other customers, all of them distant, small and out of focus, and none of them near either of the two tables. Afternoon, soft warm daylight through the net curtains, a faint haze of cigarette smoke in the air. A long unbroken static take that will fade slowly to black. Photorealistic cinematic film still, 16:9, muted film-like colour grading. Keep every face, hairstyle and outfit exactly consistent with the character reference images, and the partition, the bench and the room exactly consistent with the location reference image. No text, no logos, no watermark.
box6-c01
box6-c01
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: photo-beach-k.jpg
プロンプト
A full-frame background plate for end credits: several printed film photographs of a day at the sea laid out overlapping on a plain dark surface, shot flat from above, the images soft and grainy and slightly faded. Deliberately quiet and even, with generous empty dark space across the frame where credit type will later be laid over it. No lettering of any kind is present in the image itself. Photorealistic cinematic film still, 16:9, muted film-like colour grading. No text, no logos, no watermark.
box6-c02
box6-c02
2752×1536
gemini-3.1-flash-image16:92Kstudio
refs: photo-night-k.jpg
プロンプト
A full-frame background plate for end credits, matching the previous one: several printed film photographs of a night on a rooftop laid out overlapping on a plain dark surface, shot flat from above, the images soft and grainy with the city lights blown into discs. Deliberately quiet and even, with generous empty dark space across the frame where credit type will later be laid over it. No lettering of any kind is present in the image itself. Photorealistic cinematic film still, 16:9, muted film-like colour grading. No text, no logos, no watermark.
box6-c03
box6-c03
2752×1536
gemini-3.1-flash-image16:92Kstudio
プロンプト
A full-frame plate of pure deep black with the faintest film grain and an almost imperceptible warm falloff toward the edges, as used for a title card. Completely empty -- no object, no texture, no lettering of any kind anywhere in the frame. The title logo and the tool credits are laid over this plate later and are not part of the image. Photorealistic cinematic film still, 16:9. No text, no logos, no watermark.